FILED
NOT FOR PUBLICATION MAY 02 2014
MOLLY C. DWYER, CLERK
UNITED STATES COURT OF APPEALS U.S. COURT OF APPEALS
FOR THE NINTH CIRCUIT
STODDARD WHITE, Jr., No. 12-55920
Plaintiff - Appellant, D.C. No. 2:11-cv-01987-SJO-SH
v.
MEMORANDUM*
TWENTIETH CENTURY FOX
CORPORATION, a Delaware corporation,
with its principal place of business in
California; et al.,
Defendants - Appellees.
Appeal from the United States District Court
for the Central District of California
S. James Otero, District Judge, Presiding
Submitted January 22, 2014**
San Francisco, California
Before: D.W. NELSON, LEAVY, and THOMAS, Circuit Judges.
Stoddard White, Jr., appeals pro se the district court’s Federal Rule of Civil
Procedure 12(b)(6) dismissal of his complaint. Because the parties are familiar
*
This disposition is not appropriate for publication and is not precedent
except as provided by 9th Cir. R. 36-3.
**
The panel unanimously concludes this case is suitable for decision
without oral argument. See Fed. R. App. P. 34(a)(2).
with the history of this case, we need not recount it here. We have jurisdiction
pursuant to 28 U.S.C. § 1291, and we affirm.
I
We review de novo a district court’s dismissal under Rule 12(b)(6). Fayer v.
Vaughn, 649 F.3d 1061, 1063-64 (9th Cir. 2011). A Rule 12(b)(6) motion to
dismiss may be granted if the complaint either (1) lacks a cognizable legal theory
or (2) fails to allege sufficient facts under a cognizable legal theory. Balistreri v.
Pacifica Police Dep’t, 901 F.2d 696, 699 (9th Cir. 1990). “We accept factual
allegations in the complaint as true and construe the pleadings in the light most
favorable to the nonmoving party.” Manzarek v. St. Paul Fire & Marine Ins. Co.,
519 F.3d 1025, 1031 (9th Cir. 2008). But a plaintiff’s factual allegations “must be
enough to raise a right to relief above the speculative level.” Bell Atlantic Corp. v.
Twombly, 550 U.S. 544, 545 (2007).
“To establish a successful copyright claim, a plaintiff must show: (1) his
ownership of the copyright; (2) the defendant's access to his work; and (3)
‘substantial similarity’ between the defendant's work and his own.” Berkic v.
Crichton, 761 F.2d 1289, 1291-92 (9th Cir. 1985). A plaintiff’s failure to establish
any one of these three elements is fatal to the complaint. Funky Films, Inc. v. Time
Warner Entm’t Co., L.P., 462 F.3d 1072, 1081 (9th Cir. 2006). The district court
dismissed White’s complaint based on a lack of “substantial similarity.”
“The substantial-similarity test contains an extrinsic and intrinsic
component.” Id. at 1077. A plaintiff must satisfy both components, and therefore
a lack of extrinsic similarity is fatal to a plaintiff’s copyright case as a matter of
law. See id. “Extrinsic analysis is objective in nature. ‘[I]t depends not on the
responses of the trier of fact, but on specific criteria which can be listed and
analyzed.’ The extrinsic test focuses on ‘articulable similarities between the plot,
themes, dialogue, mood, setting, pace, characters, and sequence of events’ in the
two works. In applying the extrinsic test, this court ‘compares, not the basic plot
ideas for stories, but the actual concrete elements that make up the total sequence
of events and the relationships between the major characters.’” Id. (citations
omitted) (alteration in original). “Although the substantial similarity test is often
decided on summary judgment or at trial,” courts may determine as a matter of law
that works are not substantially similar. Gilbert v. New Line Prods., Inc., 2009 WL
7422458, at *2 (C.D. Cal. Nov. 16, 2009); Funky Films, 462 F.3d at 1076-77.
II
The district court did not err in holding as a matter of law that White’s
screenplay is not substantially similar to any of defendants’ allegedly-infringing
works. First, most of the alleged similarities are not protectable similarities. For
example, White alleges as one similarity that the grocery store scenes from his
screenplay and defendants’ movie both include as a main prop shopping carts full
of food. It goes without saying that nearly any grocery store scene in a screenplay
or movie would feature shopping carts full of food. Second, there are significant
differences between White’s screenplay and defendants’ allegedly-infringing
works. For example, the dog in White’s screenplay is not injured from the fight
whereas the dog in defendants’ movie is severely injured. See Funky Films, 462
F.3d at 1078 (no substantial similarity, despite initial appearance of similarities,
because of significant differences).
III
White contends that the district court erred because it didn’t allow him to
introduce the screenplays of two allegedly-infringing movies. Even assuming that
White preserved this argument for appeal, the underlying screenplays are irrelevant
because the operative question is whether the films–the allegedly-infringing
materials–and White’s screenplay are substantially similar. See See v. Durang, 711
F.2d 141, 142 (9th Cir. 1983) (“The only discovery plaintiff suggests is the
production of early drafts of defendant's play on the theory they might reflect
copying from plaintiff's play that was disguised or deleted in later drafts. Copying
deleted or so disguised as to be unrecognizable is not copying.”).
Similarly, the district court did not err by declining to consider the Blu-Ray
version of defendants’ movie. The question before the district court was whether
the two works are substantially similar. White does not allege that the Blu-Ray
version in particular is substantially similar to his screenplay, and therefore the
Blu-Ray version was properly disregarded.
IV
White also contends that the district court erred by not commenting on each
of his alleged similarities. White, however, cites no authority holding that a court
errs by not explaining in its analysis every alleged similarity in a copyright
infringement case, particularly in a case like this one in which over 100 similarities
are alleged. Additionally, courts may properly disregard alleged similarities that
are not protectable. Funky Films, 462 F.3d at 1077 (“we filter out and disregard
the non-protectable elements in making [our] substantial similarity determination.”
(internal quotation marks omitted) (alteration in original)).
V
Even assuming that White can properly raise fraud as a separate cause of
action rather than merely as a reply to a statute of limitations defense, he has
not–and cannot–show any damages, a necessary element of a fraud claim, because
his screenplay is not substantially similar to the defendants’ work. Bank of the
West v. Valley Nat. Bank of Arizona, 41 F.3d 471, 477 (9th Cir. 1994) (“To prevail
on its fraud claim, Valley National had to prove . . . resulting damage.”).
5
AFFIRMED.
6