Weinbach v. Windwings Productions CA2/3

Filed 3/6/13 Weinbach v. Windwings Productions CA2/3
NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS
California Rules of Court, rule 8.1115(a), prohibits courts and parties from citing or relying on opinions not certified for
publication or ordered published, except as specified by rule 8.1115(b). This opinion has not been certified for
publication or ordered published for purposes of rule 8.1115.

IN THE COURT OF APPEAL OF THE STATE OF CALIFORNIA

SECOND APPELLATE DISTRICT

DIVISION THREE

ROBERT D. WEINBACH et al., B236490

Cross-complainants and Appellants, (Los Angeles County
Super. Ct. No. SC101722)
v.

WINDWINGS PRODUCTIONS, LLC,
et al.,

Cross-defendants and Respondents.

APPEAL from a judgment of the Superior Court of Los Angeles County,

Linda K. Lefkowitz, Judge. Affirmed.

Law Offices of Becky Walker James, Becky Walker James and

Kathryn Lohmeyer for Cross-complainants and Appellants.

Leopold, Petrich & Smith, Louis P. Petrich, Robert S. Gutierrez and

Elizabeth L. Schilken for Cross-defendants and Respondents.

_______________________________________
 Robert D. Weinbach and Cyclone Productions, Inc. (Cyclone), appeal a judgment

dismissing their cross-complaint against Windwings Prodcutions, Inc. (Windwings),

and Kim Productions LLC (Kim). The issues on appeal concern the interpretation of

a provision in a settlement agreement and whether extrinsic evidence created a question

of fact for the jury to decide in connection with that interpretation. We conclude that

the extrinsic evidence was not in conflict and the trial court properly considered the

evidence and interpreted the settlement agreement as a matter of law. We also agree

with the trial court’s interpretation of the agreement. We therefore will affirm the

judgment.

FACTUAL AND PROCEDURAL BACKGROUND

1. Factual Background

Cyclone is a motion picture production and distribution company. Weinbach is

its president and owner.

Jim Thompson wrote a novel, The Killer Inside Me, first published in 1952.

Weinbach wrote a screenplay based on the novel. Cyclone became the sole owner of all

worldwide motion picture and television rights to the novel in 1974.

Cyclone and Weinbach assigned all of their rights to the novel to J. S. Company,

Inc. (J. S. Company), in 1974. In the assignment, Cyclone and Weinbach warranted that

they were “the sole and exclusive owner of all right, title and interest in and to the

Novel and the screenplay . . . . ” They assigned to J. S. Company “a 100% ownership

interest in and to all of the right, title and interest of the Seller” in the novel and the

screenplay. Cyclone contemporaneously entered into a Memorandum of Agreement

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with an affiliate of J. S. Company, Tekim, Ltd. (Tekim), in which Tekim agreed to

produce a motion picture based on the novel using the Weinbach screenplay. Tekim

agreed that Weinbach would serve as the director and a producer of the movie. Cyclone

and Weinbach also executed an Assignment of All Rights assigning to J. S. Company

“the entire, worldwide, absolute, unqualified, sole and exclusive common law rights” to

the Weinbach screenplay.

Tekim, however, terminated Weinbach’s services as director and producer after

only a few days of filming. Cyclone and Weinbach filed a complaint against Tekim and

others in November 1974, and that same month Tekim commenced a separate action

against Cyclone and others. Meanwhile, Tekim released a motion picture entitled The

Killer Inside Me in 1975. The litigation eventually resulted in a settlement agreement

executed in 1976 by and between Cyclone and Weinbach, on the one hand, and Tekim,

J. S. Productions, Inc., and others on the other. Each side agreed to dismiss its lawsuit

with prejudice. Tekim also granted Cyclone and Weinbach “all rights and licenses

necessary to produce, distribute and otherwise exploit for its own account a remake of

the motion picture ‘The Killer Inside Me’ . . . . ”

Paragraph 3(g) of the 1976 settlement agreement stated:

“To the full extent that Tekim has such rights, (and Tekim agrees that it has not

disposed of any rights acquired from Cyclone) Tekim hereby grants to Cyclone [defined

to include Cyclone and Weinbach] all rights and licenses necessary to produce,

distribute and otherwise exploit for its own account a remake of the motion picture ‘The

Killer Inside Me’ based upon the literary material acquired by Cyclone from Edward

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Mann, Robert Chamblee, Ed Waters, Jim Thompson and Robert D. Weinbach as

distinguished from any literary material acquired by Tekim separate and apart from that

obtained under the agreement with Cyclone, following termination of the existing

distribution agreement, as amended, with National General Pictures Corporation if the

said motion picture is released under said distribution agreement with such company,

and if not, then following seven (7) years if a third party or Tekim distributes the said

motion picture, such seven (7) year period to commence as of the date of first general

release of said motion picture or one year after execution of this Agreement, whichever

is earlier.”

Jim Thompson died in 1977, and all domestic rights to the novel reverted to his

estate by operation of law. M.U.S.E. Picture Productions Holding Corp. II purchased

from Thompson’s heirs in 1994 an option to purchase the domestic rights to the novel.

A dispute arose concerning the rights to the novel, leading to (1) a complaint filed in the

superior court in June 1995 and a first amended complaint filed in February 1996 by

Weinbach and Cyclone against M.U.S.E. Productions, Inc., M.U.S.E. Picture

Productions Holding Corp. II (collectively M.U.S.E.), Chris Hanley and others; and

(2) a complaint filed in the federal district court in October 1995 by the Thompson heirs

against Weinbach and Cyclone. The superior court in the first action found that

Weinbach and Cyclone owned no domestic rights to the novel and entered a judgment

for the defendants in 1996. The Court of Appeal affirmed the judgment. M.U.S.E. then

sued Weinbach and Cyclone for malicious prosecution.

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 Weinbach and Cyclone entered into a settlement agreement with M.U.S.E. and

Hanley in May 1997 in which Weinbach and M.U.S.E. Productions, Inc., agreed to use

their best efforts to obtain financing to produce a motion picture based on the novel, the

parties agreed to dismiss with prejudice their pending lawsuits against each other if they

obtained a commitment for full financing, and Weinbach and M.U.S.E. Productions,

Inc., agreed to form a joint venture to produce a film based on the novel and to

contribute to the joint venture all of their respective rights to the novel.

The joint venture failed to produce a film after several years. Tekim,

J. S. Productions, Inc., and others in January 2009 assigned to Windwings by quitclaim

any and all rights that they had to the novel. The Thompson heirs sold Windwings an

option to purchase all domestic motion picture and television rights to the novel, and

Windwings subsequently exercised that option. M.U.S.E. also assigned to Windwings

its rights to a screenplay based on the novel. Windwings then granted Kim

a nonexclusive right to produce a motion picture based on the novel. Kim produced

a motion picture remake entitled The Killer Inside Me in 2010.

2. Trial Court Proceedings

M.U.S.E. and Hanley filed a complaint against Weinbach and Cyclone in

February 2009 alleging that Weinbach and Cyclone misrepresented the nature and

extent of the international motion picture and television rights to the novel owned by the

defendants. The plaintiffs allege that Weinbach and Cyclone interfered with the

plaintiffs’ efforts to produce a remake of the 1975 motion picture and failed to

cooperate in a joint venture as required under the terms of the 1997 settlement

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agreement. M.U.S.E. and Hanley allege counts against Weinbach and Cyclone for

declaratory relief, intentional and negligent misrepresentation, intentional interference

with prospective business advantage, breach of contract, malicious prosecution and

other counts. They allege in their declaratory relief count that Weinbach and Cyclone

claim to own the exclusive international motion picture and television rights to the

novel, while M.U.S.E. and Hanley claim that the rights owned by Weinbach and

Cyclone are nonexclusive.

Weinbach and Cyclone filed a cross-complaint and filed a first amended

cross-complaint against M.U.S.E., Hanley, Windwings and Kim in November 2009.

They allege that M.U.S.E. breached the 1997 settlement agreement in connection with

the 2010 remake of The Killer Inside Me. They allege several counts against only

M.U.S.E. and Hanley; counts against all cross-defendants for conversion, declaratory

relief and an injunction; and counts against Windwings and Kim for intentional

interference with contractual relations and unjust enrichment. They allege in their

declaratory relief count that they seek a declaration as to the rights and duties of the

parties under the 1997 settlement agreement and also seek a declaration that Weinbach

and Cyclone own the exclusive motion picture and television rights to the novel outside

the United States.

The parties filed cross-motions for summary judgment or summary adjudication.

The trial court denied the motions in June 2010, stating, “the parties have provided

contrary expert opinions regarding the extent of Cyclone’s retained rights by their views

of ‘trade usage’ in the motion picture industry . . . . Thus, there is a triable issue of

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material fact impacting the motions submitted by both sides to this action, and

effectively defeating summary judgment and/or summary adjudication in its entirety on

this, the major issue of the case—the extent of Cyclone’s rights.”

The trial court stated on the eve of trial that the interpretation of the

1976 settlement agreement was central to the case. The court stated that it would

consider the extrinsic evidence and determine whether the evidence presented

a question of fact for the jury to decide. The court bifurcated the trial and heard the

plaintiffs’ declaratory relief count without a jury. After hearing testimony by four

expert witnesses and other evidence, the court filed an order on August 8, 2010,

concluding that there was no conflict in the extrinsic evidence and therefore no factual

issue for the jury to decide relating to the interpretation of the agreement.

The trial court found that the rights granted to Weinbach and Cyclone under the

terms of the 1976 settlement agreement were nonexclusive rights to produce a single

remake of the motion picture based on the novel. The court stated that the experts

agreed that the custom and practice was for a producer to acquire exclusive rights to

a remake because without exclusive rights it would be difficult to obtain financing. The

court stated, however, that the settlement agreement was not a typical marketplace

transaction and that the experts agreed that its terms were nonstandard. The court noted

that the rights granted to Weinbach and Cyclone under the settlement agreement were

decidedly suboptimal apart from the question of exclusivity, and contrasted those rights

with the “sole and exclusive” rights granted by Cylcone to J. S. Company and Tekim

only two years earlier and similar language in other prior grants of rights to the novel.

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The court concluded that the omission of “sole and exclusive” or similar language from

the 1976 settlement agreement was intentional and that the rights granted to Weinbach

and Cyclone under the agreement were nonexclusive. The court stated further that the

interpretation asserted by Weinbach and Cyclone involved the insertion of the term

“exclusive” or “sole and exclusive” and would vary the terms of the agreement, contrary

to law. The court therefore found in favor of M.U.S.E. and Hanley on their count

against Weinbach and Cyclone for declaratory relief. The court continued the trial on

other issues until August 2011.

Weinbach and Cyclone challenged the trial court’s ruling by petitioning this

court for an extraordinary writ. We summarily denied the petition in November 2010

(No. B227900).

M.U.S.E., Hanley, Windwings and Kim as cross-defendants then moved for

summary judgment or summary adjudication of each count alleged in the first amended

cross-complaint. The trial court granted summary judgment in favor of all

cross-defendants in an order filed on August 5, 2011. The court concluded that the

1997 settlement agreement was voidable and subject to rescission based on a mistake of

fact resulting from misrepresentations as to the nature and extent of the rights owned by

Weinbach and Cyclone, and that all of the counts alleged by Weinbach and Cyclone in

their first amended cross-complaint therefore had no merit. The court entered judgment

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in favor of Windwings and Kim on the cross-complaint in September 2011.1 Weinbach

and Cyclone timely appealed the judgment.

CONTENTIONS

Weinbach and Cyclone contend (1) the parties presented conflicting expert

testimony regarding the custom and practice in the motion picture industry, creating

a question of fact for the jury to decide relating to the interpretation of the

1976 settlement agreement; and (2) the trial court erroneously concluded that the

interpretation asserted by Weinbach and Cyclone would impermissibly vary the terms

of the agreement.

DISCUSSION

1. There Was No Conflict in the Extrinsic Evidence and No Question of Fact
for the Jury to Decide in Connection with the Contract Interpretation

The interpretation of a written contract is a question of law for the court to decide

unless the interpretation turns on the resolution of a factual question concerning the

credibility of extrinsic evidence. (City of Hope National Medical Center v. Genentech,

Inc. (2008) 43 Cal.4th 375, 395; Parsons v. Bristol Development Co. (1965) 62 Cal.2d

861, 865 (Parsons).) This means that the interpretation of a written contract is solely

a judicial function unless the evidence creates a legitimate dispute as to the truth or

falsity of a fact that is both extraneous to the contract and material to its interpretation.

If the extrinsic evidence creates such a question of fact, the jury must decide that

1
The litigation proceeded on the complaint by M.U.S.E. and Hanley against
Weinbach and Cyclone, so no judgment was entered as between those parties.

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question before the contract can be interpreted. (Wolf v. Walt Disney Pictures &

Television (2008) 162 Cal.App.4th 1107, 1127.) After the jury decides the facts, the

interpretation of the contract either can be submitted to the jury or the court can

interpret the contract in light of the jury’s factual finding. (City of Hope, supra,

43 Cal.4th at p. 396; see Medical Operations Management, Inc. v. National Health

Laboratories, Inc. (1986) 176 Cal.App.3d 886, 892, fn. 4.) If the facts are undisputed

but may give rise to conflicting inferences, in contrast, the question of which inferences

to draw from the facts for purposes of contract interpretation is a question of law for the

court to decide. (Garcia v. Truck Ins. Exchange (1984) 36 Cal.3d 426, 439; Parsons,

supra, 62 Cal.2d at pp. 865, 866, fn. 2;2 City of El Cajon v. El Cajon Police Officers’

Assn. (1996) 49 Cal.App.4th 64, 71.)

The custom and practice in an industry is a fact that is relevant to the

interpretation of a contract and may inform its meaning. (Ecco-Phoenix Electric Corp.

v. Howard J. White, Inc. (1969) 1 Cal.3d 266, 271; Midwest Television, Inc. v. Scott,

Lancaster, Mills & Atha, Inc. (1988) 205 Cal.App.3d 442, 451.) In accordance with the

rules stated above, if evidence regarding custom and practice is in conflict, the jury must

resolve the conflict before the contract is interpreted. If such evidence is not in conflict,

however, and there is no other conflict in the extrinsic evidence, the interpretation of

2
Parsons, supra, 62 Cal.2d 861, equated conflicting inferences with conflicting
interpretations. (Id. at p. 866, fn. 2 [“ . . . conflicting inferences, actually conflicting
interpretations . . . ”].)

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a contract in light of the custom and practice, and in light of any other extrinsic

evidence, is a question of law for the court alone to decide.

Weinbach and Cyclone contend the expert testimony is conflicting with respect

to the proper interpretation of the 1976 settlement agreement. They argue that

conflicting expert testimony regarding the interpretation of a contract constitutes

conflicting extrinsic evidence and necessarily creates a question of fact that must be

decided by the jury. We disagree.

The experts here opined on the proper interpretation of the 1976 settlement

agreement in light of the custom and practice in the industry and the parties’ prior

dealings. They offered conflicting interpretations of the agreement. The evidence

regarding the custom and practice in the industry and the parties’ prior dealings,

however, was not in conflict. The experts agreed that the custom and practice was for

a producer to acquire exclusive rights to a remake because without exclusive rights it

would be difficult to obtain financing. Weinbach and Cyclone fail to identify any

material conflict in the evidence regarding the custom and practice in the industry with

respect to the assignment of motion picture rights, and the evidence of the parties’ prior

dealings is undisputed.3 The experts’ conflicting interpretations of the agreement in

light of the undisputed historical facts does not constitute a conflict in the extrinsic

evidence and does not create a question of fact for the jury to decide. (California

3
When given an opportunity at oral argument to cite any conflicting evidence in
the record, Weinbach and Cyclone only cited evidence of the experts’ conflicting
interpretations of the 1976 settlement agreement.

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National Bank v. Woodbridge Plaza LLC (2008) 164 Cal.App.4th 137, 143.) This

conclusion is fully supported by the record.

2. The Trial Court Correctly Concluded that the Rights Granted Under
the 1976 Settlement Agreement Were Nonexclusive

Weinbach and Cyclone contend the trial court’s conclusion that their

interpretation of the 1976 settlement agreement would vary the terms of the agreement

contrary to law was error. We need not decide whether their interpretation of the

agreement is contrary to law. Absent any factual question regarding the credibility of

extrinsic evidence, we interpret the agreement de novo and are not bound by the trial

court’s reasoning. (Parsons, supra, 62 Cal.2d at pp. 865-866.) We conclude that the

rights granted to Weinbach and Cyclone under the agreement were nonexclusive, as we

shall explain, so we need not decide whether the agreement is reasonably susceptible of

their contrary interpretation or whether their interpretation would impermissibly vary

the terms of the agreement.

“ ‘We interpret a contract so as to give effect to the mutual intention of the

contracting parties at the time the contract was formed. (Civ. Code, § 1636.) We

ascertain that intention solely from the written contract if possible, but also consider the

circumstances under which the contract was made and the matter to which it relates.

(Id., §§ 1639, 1647.) We consider the contract as a whole and interpret its language in

context so as to give effect to each provision, rather than interpret contractual language

in isolation. (Id., § 1641.) We interpret words in accordance with their ordinary and

popular sense, unless the words are used in a technical sense or a special meaning is

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given to them by usage. (Id., § 1644.) If contractual language is clear and explicit and

does not involve an absurdity, the plain meaning governs. (Id., § 1638.)’ [Citation.]”

(Dowling v. Farmers Ins. Exchange (2012) 208 Cal.App.4th 685, 695.) If contractual

language is ambiguous, we may consider extrinsic evidence of the parties’ intention in

order to resolve the ambiguity.4 (Pacific Gas & E. Co. v. G. W. Thomas Drayage etc.

Co., supra, 69 Cal.2d pp. 39-40.)

Tekim granted Cyclone and Weinbach “all rights and licenses necessary to

produce, distribute and otherwise exploit for its own account a remake of the motion

picture ‘The Killer Inside Me’ based upon the literary material acquired by Cyclone”

from Weinbach and other named individuals, as distinguished from any other literary

material acquired by Tekim. In our view, “all rights and licenses necessary to

produce . . . a remake . . . ” falls far short of “the sole and exclusive” rights to the

literary work or “100% ownership interest in and to all of the right, title and interest of

the Seller” previously assigned by Cyclone and Weinbach to Tekim. Other prior

assignments in the chain of title, which the parties were aware of, also used language

4
“ ‘[E]ven if a contract appears unambiguous on its face, a latent ambiguity may
be exposed by extrinsic evidence which reveals more than one possible meaning to
which the language of the contract is yet reasonably susceptible.’ (Morey v. Vannucci
(1998) 64 Cal.App.4th 904, 912 [75 Cal.Rptr.2d 573].) ‘The test of admissibility of
extrinsic evidence to explain the meaning of a written instrument is not whether it
appears to the court to be plain and unambiguous on its face, but whether the offered
evidence is relevant to prove a meaning to which the language of the instrument is
reasonably susceptible.’ (Pacific Gas & E. Co. v. G.W. Thomas Drayage etc. Co.
(1968) 69 Cal.2d 33, 37 [69 Cal.Rptr. 561, 442 P.2d 641], citing numerous authorities.)”
(Dore v. Arnold Worldwide, Inc. (2006) 39 Cal.4th 384, 391.)

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explicitly denoting exclusivity or the assignment of all rights owned by the assignor.5

Such language is conspicuously absent from the 1976 settlement agreement.

Moreover, the 1976 settlement agreement was not a typical marketplace

transaction, in which the experts testified the producer ordinarily would receive

exclusive rights to exploit the literary work. Instead, the agreement was in settlement of

litigation arising from Weinbach’s termination as the director and a producer of the

1975 motion picture, The Killer Inside Me. As the trial court noted, (1) the rights

granted to Weinbach and Cyclone under the 1976 settlement agreement were limited to

the literary material previously acquired by Cyclone from Weinbach and others, to the

exclusion of other literary material (i.e., other screenplays) separately acquired by

Tekim; (2) there was no assurance that Weinbach and Cyclone would acquire the

domestic rights to the novel in the event of Thompson’s death and the reversion of those

rights to his heirs, as later occurred; and (3) the rights granted to Weinbach and Cyclone

were further limited by a “holdback” provision allowing them to produce and distribute

a remake only after the termination of a prior distribution agreement or after the

expiration of a seven-year period. These limitations on the rights granted to Weinbach

5
Thompson assigned to Warner Bros. in 1968, “exclusively and forever, for the
entire universe . . . all rights of every kind and nature whatsoever in and to [the novel],”
excluding only certain book publishing rights, and specifically including “the sole and
exclusive motion picture rights . . . throughout the world.” Warner Bros. assigned and
quitclaimed all of its rights acquired from Thompson to Greenway Productions, Inc., in
1970. Greenway Productions, Inc., then assigned “all of its right, title and interest in
and to the motion picture and television rights” to Cyclone in 1974.

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and Cyclone under the settlement agreement distinguished the transaction from a typical

marketplace transaction involving the assignment of motion picture rights.

We conclude that the language of the 1976 settlement agreement, including the

absence of the words “sole and exclusive” or similar language, and the surrounding

circumstances indicate that the rights granted to Weinbach and Cyclone were

nonexclusive rights to produce “a remake” using the specified literary material. The

trial court’s ruling on this issue was correct.

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 DISPOSITION

The judgment is affirmed. Windwings and Kim are entitled to recover their costs

on appeal.

NOT TO BE PUBLISHED IN THE OFFICIAL REPORTS

CROSKEY, J.

WE CONCUR:

KLEIN, P. J.

ALDRICH, J.

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