United States Court of Appeals
For the First Circuit
No. 01-2600
LAUREL CASEY and ASTERIX AND OBELIX, LLC,
Plaintiffs, Appellants,
v.
CITY OF NEWPORT, RHODE ISLAND
Defendant, Appellee.
APPEAL FROM THE UNITED STATES DISTRICT COURT
FOR THE DISTRICT OF RHODE ISLAND
[Hon. Ronald R. Lagueux, U.S. District Judge]
Before
Torruella and Lipez, Circuit Judges,
and McAuliffe,* District Judge.
Thomas W. Kelly for Appellants.
Marc DeSisto for Appellee.
October 16, 2002
*
Of the District of New Hampshire, sitting by designation.
LIPEZ, Circuit Judge. This case requires us to assess
the constitutionality of restrictions imposed by the City of
Newport, Rhode Island (City), on the performance of music at
Asterix and Obelix (A&O), a Newport restaurant/nightclub. The
district court rejected a First Amendment challenge to the
restrictions mounted by A&O and Laurel Casey, a cabaret singer who
performs at A&O, and entered summary judgment for the City on the
ground that the restrictions were narrowly tailored to serve a
significant governmental interest. Concluding that the district
court's narrow-tailoring decision lacks support in the record, we
vacate the judgment and remand for further proceedings.
I.
A&O is located at 599 Thames Street in Newport. The
property is zoned "limited business" and abuts a residential
neighborhood. In June of 1998 A&O was granted an entertainment
license permitting musical performances, pursuant to Newport, R.I.,
Ordinances ch. 5.68 (Public Entertainment). The word "None" was
typed next to the word "Amplification" on the approved application.
On June 4, 1999, Casey performed at A&O with her voice amplified,
accompanied by an amplified bass and an unamplified piano. That
evening A&O was cited for violating the City's noise ordinance.
Newport, R.I., Ordinances ch. 8.12 (Noise Abatement) (setting
maximum decibel level of 75 for districts zoned "limited
business"). Casey explained the events which gave rise to the
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violation of the noise ordinance at a City Council hearing on June
9:
Now, to tell you the truth, it was my fault
last Friday that we went over the . . . Noise
Ordinance. A person in the audience requested
that I sing from an operetta and I began to
sing a portion of Rinaldo. There are several
high notes that go above high note C in
R[i]naldo and it was those high notes
apparently that shot us off the scale.
The complaint against A&O was subsequently dismissed. As far as
the record reveals, A&O was not cited for violating the terms of
its entertainment license.
On June 9, 1999, the City Council held a hearing on A&O's
application for a renewed license that would permit amplification.
Residents of the neighborhood voiced displeasure with the noise
emanating from A&O during musical performances. The Council voted
to renew A&O's entertainment license, but with the no-amplification
restriction still in place, and with an added prohibition against
singing (whether amplified or not).
On June 18, 1999, Casey filed a complaint against the
City in federal district court seeking declaratory and injunctive
relief and damages under 42 U.S.C. § 1983 on the ground that the
no-singing and no-amplification restrictions violated her right to
free expression under the First Amendment. On June 23, 1999, the
Council removed the no-singing restriction, which it had imposed in
the mistaken belief that A&O's previous license had included the
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same restriction.1 The no-amplification restriction, however,
remained in force. The Council also required that A&O keep its
doors and windows closed during musical performances.2 A First
Amended Complaint was filed on July 9, 1999, adding A&O as a
plaintiff.
On May 1, 2000, the Council again renewed A&O's
entertainment license, this time with amplification of singing
allowed, but amplification of musical instruments forbidden. A
Second Amended Complaint filed on July 31, 2000, added a count
challenging the ban on amplification of instruments effective as of
June 2000. After the parties filed cross-motions for summary
judgment, the district court granted summary judgment for the City
on October 24, 2001, holding that the challenged restrictions were
valid time, place, and manner regulations that did not infringe
upon the plaintiffs' First Amendment rights. Plaintiffs filed this
timely appeal in which they ask us to vacate the judgment of the
district court and order the entry of a judgment declaring that the
City's license restrictions are unconstitutional, enjoining their
enforcement, and leaving the question of damages for the district
court on remand.
1
The Council had intended on June 9 simply to deny A&O's
application to expand its previous license. On June 23 the Council
concluded that to permit singing would not constitute an expansion
of the license, and therefore removed the no-singing restriction.
2
Appellants do not object to this requirement.
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II.
We review the district court's grant of summary judgment
for the City de novo, examining the record in the light most
favorable to Casey and A&O and drawing all reasonable inferences in
their favor. We affirm the district court's decision only if
"there is no genuine issue of material fact" and the City "is
entitled to judgment as a matter of law." See Knights of Columbus,
Council #94 v. Town of Lexington, 272 F.3d 25, 30 (1st Cir. 2001).
Here we focus on the legal question of whether the challenged
restrictions violate the First Amendment. See id.
"Music, as a form of expression and communication, is
protected under the First Amendment." Ward v. Rock Against Racism,
491 U.S. 781, 790 (1989). Expression need not include words to
qualify for First Amendment protection. The Supreme Court has said
that "a narrow, succinctly articulable message is not a condition
of constitutional protection, which if confined to expressions
conveying a 'particularized message,' would never reach the
unquestionably shielded painting of Jackson Pollock, music of
Arnold Schoenberg, or Jabberwocky verse of Lewis Carroll." Hurley
v. Irish-American Gay, Lesbian and Bisexual Group of Boston, Inc.,
515 U.S. 557, 569 (1995) (citation omitted). Thus it is not just
Casey's verbal expression, but also the musical sound she and her
band produce, that is protected under the First Amendment.
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Nevertheless, "the government may impose reasonable
restrictions on the time, place, or manner of protected speech," if
those restrictions are (1) content neutral; (2) narrowly tailored
to serve a significant governmental interest; and (3) leave open
ample alternative channels of communication. Ward, 491 U.S. at
791. We have described our review under this standard as
"intermediate scrutiny." Nat'l Amusements, Inc. v. Town of Dedham,
43 F.3d 731, 736 (1st Cir. 1995). Intermediate scrutiny is "more
demanding than the 'rational basis' standard that is often used to
gauge the constitutionality of economic regulations," id., but less
rigorous than strict scrutiny, where we inquire "whether a
regulation 'is necessary to serve a compelling state interest and
is narrowly drawn to achieve that end.'" Id. (quoting Arkansas
Writers' Project Inc. v. Ragland, 481 U.S. 221, 231 (1987)). If a
regulation of speech is not narrowly tailored to serve a
significant governmental interest, it cannot be deemed
constitutional. See Turner Broad. Sys., Inc. v. FCC, 512 U.S. 622,
668 (1994) (vacating district court decision that content-neutral
regulation of speech was constitutional because facts in the record
failed to establish that narrow-tailoring requirement was met).
The burden of proof is on the City to demonstrate that its
restrictions on speech are narrowly tailored. See Board of
Trustees v. Fox, 492 U.S. 469, 480 (1989) ("[S]ince the State bears
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the burden of justifying its restrictions, it must affirmatively
establish the reasonable fit we require.") (citation omitted).
The district court held that the challenged restrictions
were permissible under the Ward test. Although chronologically the
first restriction imposed on performers at A&O was the ban on
singing, we think it makes more sense to begin our legal analysis
with the no-amplification and no-amplification-of-instruments
restrictions. We deal with the no-singing restriction last.3
A. No Amplification
1. Content Neutrality
The Supreme Court has said that "[t]he principal inquiry
in determining content neutrality . . . is whether the government
has adopted a regulation of speech because of disagreement with the
message it conveys. The government's purpose is the controlling
consideration." Ward, 491 U.S. at 791 (citation omitted). Thus a
regulation that has a disparate effect on different styles of music
may nevertheless be considered content neutral if the intent behind
the regulation is unrelated to content. The district court found
that "[t]he [City's] clear objective in imposing the [no-
3
Because plaintiffs are seeking damages, their challenges to
restrictions that are no longer in effect (the no-singing and no-
amplification restrictions) are not moot. See City of Richmond v.
J.A. Croson Co., 488 U.S. 469, 478 n.1 (1989) (noting that
expiration of ordinance does not moot controversy because
plaintiffs may be entitled to damages if City's conduct pursuant to
ordinance was unlawful). As far as the record reveals, the no-
amplification-of-instruments restriction remains in force.
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amplification] restriction was to reduce noise . . . , a purpose
unrelated to the content of the message [appellants] sought to
convey." There being no suggestion in the record that the no-
amplification restriction was motivated by the content of Casey's
performances, the restriction qualifies as content neutral.
2. Narrow Tailoring
On the question of narrow tailoring, the district court
found that the no-amplification restriction in force between June
of 1999 and June of 2000 (banning amplification of both singing and
instruments) "serves defendants' articulated interest" in noise
reduction, and that without the restriction, "the City would be
unable to control effectively the volume of music, amplified or
unamplified, emanating from [A&O]." The court then declared that
the no-amplification restriction "does not burden more speech than
necessary," and that "plaintiffs could still convey their
respective messages, but . . . without the aid of an amplifier."
In sum, the district court found that the City could not have
achieved the desired reduction in noise without imposing the no-
amplification restriction, and that the restriction did not burden
substantially more speech than was necessary to achieve the City's
objective.
In analyzing the district court's conclusions regarding
narrow tailoring, we are guided by the Supreme Court's opinion in
Ward and our opinion in Globe Newspaper Co. v. Beacon Hill
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Architectural Commission, 100 F.3d 175 (1st Cir. 1996).
Accordingly, we begin with a review of those opinions.
a. Ward
In Ward, the plaintiffs had challenged New York City's
requirement that performers on a city concert stage in Central Park
use amplification equipment and a sound technician supplied by the
city. 491 U.S. at 784. The Court of Appeals had invalidated the
requirement, holding that the city's sound-amplification guideline
was not narrowly tailored to further the city's interest in
limiting the sound emanating from the city's stage because "it has
not [been] shown ... that the requirement of the use of the city's
sound system and technician was the least intrusive means of
regulating the volume." Id. at 797 (quoting Rock Against Racism v.
Ward, 848 F.2d 367, 371 (2d Cir. 1988)) (emphasis in original).
The Supreme Court emphatically rejected this "least intrusive
means" test: "our cases quite clearly hold that restrictions on the
time, place, or manner of protected speech are not invalid 'simply
because there is some imaginable alternative that might be less
burdensome on speech.'" 491 U.S. at 797 (quoting United States v.
Albertini, 472 U.S. 675, 689 (1985)).
The Court then went on to reaffirm the applicable narrow-
tailoring standard, stating first that "the requirement of narrow
tailoring is satisfied so long as the ... regulation promotes a
substantial government interest that would be achieved less
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effectively absent the regulation." Ward, 491 U.S. at 799
(internal quotation marks omitted). As the dissent notes, we have
cited this statement in some of our own First Amendment cases. See
Knights of Columbus v. Town of Lexington, 272 F.3d 25, 33 (1st Cir.
2001); Nat'l Amusements, 43 F.3d at 744. However, as we recognized
in Globe Newspaper, 100 F.3d at 189-90, see infra, this statement
cannot be separated from the Supreme Court's own qualification of
the meaning of this statement, set forth in Ward:
To be sure, this standard does not mean that a
time, place, or manner regulation may burden
substantially more speech than is necessary to
further the government's legitimate interests.
Government may not regulate expression in such
a manner that a substantial portion of the
burden on speech does not serve to advance its
goals. So long as the means chosen are not
substantially broader than necessary to
achieve the government's interest, however,
the regulation will not be invalid simply
because a court concludes that the
government's interest could be adequately
served by some less-speech-restrictive
alternative.
Ward, 491 U.S. at 799-800 (emphasis added) (citations omitted).4
4
Without this qualification, the Court's first statement
about the requirement of narrow tailoring ("the requirement of
narrow tailoring is satisfied so long as the ... regulation
promotes a substantial government interest that would be achieved
less effectively absent the regulation") would be little more than
a requirement that the regulation at issue be rationally related to
the identified interest. To say that a regulation promotes a
substantial government interest is tantamount to saying that the
government interest would be achieved less effectively absent the
regulation. Therefore, if this first statement were the extent of
the test for narrow tailoring, it would be an extraordinarily easy
one to pass. A regulation would have to be irrational -- that is,
fail entirely to promote the interests it was designed to promote
-10-
To demonstrate the importance of this qualification,5 the
Court went on in Ward to explain why the city's sound amplification
guideline was not "substantially broader than necessary to achieve
the government's interest." It noted that "[i]f the city's
regulatory scheme had a substantial deleterious effect on the
ability of bandshell performers to achieve the quality of sound
they desired, [plaintiff's] concerns would have considerable
force." Id. at 801. It emphasized that the district court had
found that the City's sound technician "give[s] the sponsor
autonomy with respect to the sound mix . . . [and] does all that he
can to accommodate the sponsor's desires in those regards." Id.
at 802 (internal quotation marks omitted). Moreover, the Court
found no evidence that the City's technician was unable to
implement properly the performers' instructions regarding sound
quality or mixing. In light of those findings, the Court concluded
that "the city's guideline [requiring that performers use the
City's amplification equipment and sound technician] has no
material impact on any performer's ability to exercise complete
artistic control over sound quality." Id. Thus, the Court held
--- not to surmount this low hurdle. Recognizing that "narrowly
tailored" must mean something more than non-irrational, the Court
went on to articulate an additional requirement.
5
Indeed, when the Supreme Court has cited the Ward narrow-
tailoring test in subsequent cases, it has included this important
qualification. See Turner Broad., 520 U.S. at 213; United States
v. Edge Broad. Co., 509 U.S. 418, 430 (1993).
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that the guideline satisfied the requirement of narrow tailoring
because it was "not substantially broader than necessary to achieve
the city's legitimate ends." Id. (internal quotation marks
omitted).
b. Globe Newspaper
In Globe Newspaper, we acknowledged that Ward's "not
substantially broader than necessary" requirement is part of the
test for narrow tailoring. A Beacon Hill Architectural Commission
regulation banned street furniture, including newspaper boxes, in
Boston's historic Beacon Hill neighborhood. The district court had
held that the regulation violated the First Amendment because the
Commission had "shown no reason why its interest in preserving the
architectural and historic character of the [neighborhood] cannot
be met by, for example, subjecting newsracks and other street
furniture to the same review process as store-front merchandise
racks." Globe Newspaper, 100 F.3d at 188 (internal quotation marks
omitted).
We reversed on the ground that the regulation promoted a
substantial government interest in aesthetics that would have been
achieved less effectively absent the regulation, and that it did so
without burdening substantially more speech than necessary. Id. at
188-89. We explained that
[w]hile the district court correctly
considered the fact that less-burdensome
alternatives exist, it [gave] too much weight
to that fact alone. In so doing, it
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essentially discount[ed] from the equation
Ward's inquiry into whether the [regulation]
promotes the Commission's interests such that
they would be achieved less effectively absent
the [regulation].
Id. at 189 (internal quotation marks and alterations omitted).
Importantly, however, we declared that "less-burdensome
alternatives must be considered in connection with the inquiry into
whether, absent the challenged regulation, the government's
interests are achieved less effectively," and cautioned that
"courts are not merely to defer to the government's subjective
judgment." Id. at 190 (emphasis added).
We observed in Globe Newspaper that while the Commission
"could have adopted a less drastic solution," it had "carefully
calculated the costs and benefits" associated with potential
solutions to the problem of street furniture. Id. We concluded
that "[t]he path [the Commission] chose to follow -- eliminating
the newsracks altogether -- [was] the most effective solution aimed
at reducing visual clutter and preserving the [neighborhood's]
historic character." Id. In other words, while not engaging in a
least-restrictive means analysis, we emphasized that the Commission
had weighed the alternatives before it, and we pointed out that an
obvious alternative to the ban on street furniture -- requiring
that newsracks be designed to "blend in" to the neighborhood --
would have been less effective in achieving the Commission's anti-
clutter objective than an outright ban. Id. at 190-91. For our
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purposes, the essential point is that we emphasized in Globe
Newspaper that the narrow-tailoring test requires the district
court to consider whether the regulation challenged on First
Amendment grounds sweeps more broadly than necessary to promote the
government's interest. That consideration, in turn, cannot be done
without some evaluation of the alternative measures put in issue by
the parties.
c. The District Court's Rationale
As explained supra, the district court found the ban on
amplification narrowly tailored because (1) the restriction serves
the City's interest in noise reduction; (2) this objective could
not be achieved without the restriction; (3) the restriction does
not burden more speech than necessary; and (4) Casey could still
convey her message, but without the aid of an amplifier. Although
we conclude that the record supports the district court's first
proposition -- that the restriction advanced the City's interest in
noise reduction -- it does not support the other three. Thus, the
district court overlooked Ward's requirement that the means chosen
cannot be "substantially broader than necessary to achieve the
government's interest." 491 U.S. at 800.
i. The Restriction Serves the City's Interest in Noise Reduction
We agree with the district court that the ban on
amplification serves the City's interest in noise reduction, as it
limits the volume of noise performers can generate to the sound-
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production capacity of their unamplified voices and instruments.
The restriction was implemented to protect residential neighbors of
A&O, and the Supreme Court has recognized that the government has
"a substantial interest in protecting its citizens from unwelcome
noise," an interest that is "perhaps at its greatest when
government seeks to protect the well-being, tranquility, and
privacy of the home." Id. at 796 (internal quotation marks
omitted). Nevertheless, as we have explained, the mere fact that
the ban on amplification serves the City's interest in noise
reduction is not enough to satisfy the narrow-tailoring
requirement.
ii. The City's Objective Could Not Be Achieved
Without the Restriction
The district court stated that without the no-
amplification restriction, "the City would be unable to control
effectively the volume of music . . . emanating from [A&O]." This
statement implies that less-burdensome alternatives to the ban on
amplification do not exist. But the record does not support the
district court's assertion. Casey and A&O suggest that the City's
noise-reduction objective could be achieved by enforcement of the
City's noise ordinance. See Newport, R.I., Ordinances ch. 8.12
(Noise Abatement) (setting maximum decibel level of 75 for
districts zoned "limited business"). This may or may not be so.
However, as a matter of logic, reliance on the noise ordinance
would be less restrictive than a total ban on amplification because
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it would permit the use of amplifiers at levels that did not exceed
the decibel limit set in the noise ordinance. Yet the City did not
explain why it could not have relied on this less-burdensome
alternative to the no-amplification restriction. See Globe
Newspaper, 100 F.3d at 190-91.
iii. The Restriction Does Not Burden More Speech Than Necessary
There is no support in the record for the district
court's conclusion that the restriction does not burden more speech
than necessary to achieve the City's interest in preventing
excessive noise. See Ward, 491 U.S. at 802 (upholding regulation
that was not substantially broader than necessary). Neither in the
district court's opinion nor in the record is there any explanation
of why the alternative advanced by the plaintiffs -- enforcement of
the City's noise ordinance -- would not have achieved the City's
interests as effectively as the amplification ban, while
substantially diminishing the burden on speech. This approach is
in sharp contrast to Ward, where the Court cited specific
alternatives the City had rejected and its reasons for doing so.
In Ward, the Court explained that New York had rejected
the idea of a fixed decibel limit for all performers using the
bandshell "because the impact on listeners of a single decibel
level is not constant, but varies in response to changes in air
temperature, foliage, audience size, and like factors." Id. at
786. The city had also rejected the idea of using its own
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technician to operate equipment supplied by the performer, "because
the city's technician might have had difficulty satisfying the
needs of [performers] while operating unfamiliar, and perhaps
inadequate, sound equipment." Id.; see also Globe Newspaper, 100
F.3d at 190 ("Designing the newsracks to better 'blend in' . . .
would promote the Commission's interest by reducing their
'unsightliness.' It would not achieve, however, as effective a
reduction in 'the visual clutter . . . .'"). By contrast, the
district court's opinion gives no indication as to why the City of
Newport could not have relied on the noise ordinance to achieve its
objective.
We do not see how the "substantially broader than
necessary" determination could be made in this case absent some
consideration of the alternative of enforcing the noise ordinance.
Far from being a hypothetical possibility conjured up by
appellants, the noise ordinance is on the books, is unmistakably
designed to address the problem of excessive noise, and has been
enforced against A&O in the past. There is no indication in the
record that such enforcement is not effective in achieving the
City's noise-reduction objective.6
We emphasize, however, that the City need not prove that
the no-amplification restriction is the least restrictive means of
6
Indeed, when appellants were cited for excessive noise in
June of 1999 it was for violating the noise ordinance, rather than
the no-amplification restriction on their license.
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achieving its objective of controlling excessive noise. Any such
requirement is clearly proscribed by the precedents. Ward, 491
U.S. at 798. However, if enforcing the noise ordinance would
effectively achieve the City's noise-reduction objective, and the
burden on speech imposed by the no-amplification restriction is
substantially broader than the burden that would be imposed by
enforcing the noise ordinance, the no-amplification restriction may
not meet the narrow tailoring test.
Inescapably, the application of the narrow tailoring test
entails a delicate balancing judgment by the court. See Blount v.
SEC, 61 F.3d 938, 946 (D.C. Cir. 1995) (regulations of speech must,
"by virtue of the narrow tailoring requirement . . . , strike an
appropriate balance between achieving [the government's] goals and
protecting constitutional rights"); Henderson v. Lujan, 964 F.2d
1179, 1184 (D.C. Cir. 1992) ("Despite the seemingly mathematical
character of the metaphor, the Supreme Court in fact applies [the
narrow-tailoring requirement] as a balancing test . . . ."). First
Amendment plaintiffs often argue that a regulation sweeps too
broadly and that less burdensome alternatives are available to
accomplish the government's objective. The government responds
that the proposed alternatives would be less effective in achieving
its objective. The trial court is then required to balance the
competing interests under the narrow-tailoring standard, mindful
that the government is not required to choose the least intrusive
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means of advancing its interests. Here, however, the court did not
engage in any balancing analysis, deferring instead to the
unsupported assertion of the City that the no-amplification
restriction in A&O's license was the only effective means of
addressing the noise problem.
The City calls to our attention Carew-Reid v.
Metropolitan Transportation Authority, 903 F.2d 914 (2d Cir. 1990),
which held that a ban on the use of amplifiers on New York City
subway platforms was narrowly tailored to the city's interests in
"elimination of excessive noise" and "public safety" (the concern
was that amplified music interfered "with police communications,
the public address system . . . and the work of track crews"). Id.
at 917. The district court had enjoined enforcement of the ban,
finding that "the goal of noise reduction could be achieved by
enforcing the 85 decibel limit" applicable to musical performances
on subway platforms. Id. The Second Circuit held that the
district court had "improperly relied on the perceived availability
of a less-restrictive alternative to the amplifier ban -- the use
of decibel meters." Id. at 917-18. It explained that the proposed
alternative would be impractical: "The noise regulation requires
that decibel measurements be taken at a distance of five feet from
the music's source. The difficulties in making such measurements
on a crowded subway platform with riders rushing on and off trains
are apparent . . . ." Id. at 918.
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Although a crowded subway platform in New York City seems
far removed from a residential neighborhood in Newport, Rhode
Island, there might be practical problems or administrative burdens
that complicate the enforcement of a noise ordinance in this
quieter setting. Such considerations are certainly relevant in
evaluating whether a proposed alternative would effectively achieve
the City's objective. See id. However, this record is silent on
any practical problems or administrative burdens that would render
enforcement of the noise ordinance an ineffective alternative to
the no-amplification restriction.7
Nevertheless, the dissent states that the record
establishes that "the noise ordinance clearly failed to address the
community's concerns and, as such, cannot be considered an
effective alternative." Respectfully, that is not so. The
scattered references to the Noise Ordinance at the City Council
meeting on June 9, 1999 where the license restrictions were adopted
do not amount to evidence that enforcement of the noise ordinance
7
Carew-Reid does assert that Ward "makes clear that the
less-restrictive alternative analysis has no part in the review of
a time, place or manner regulation." Id. We believe this
reasoning reflects a misreading of Ward, which rejected any
requirement that the means chosen be the least restrictive. 491
U.S. at 798. Ward does not say that the existence of less
restrictive alternatives plays no part in the narrow tailoring
analysis. Indeed, we said in Globe Newspaper that the existence of
"numerous and obvious less-burdensome alternatives ... is certainly
a relevant consideration," just not a controlling one. 100 F.3d at
189-90 (quoting City of Cincinnati v. Discovery Network, Inc., 507
U.S. 410, 418 n.13 (1993)).
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was considered and rejected as ineffective. Here is the sum and
substance of these references:
C Councilor Sardella, questioning the requirement
that an applicant list the specific types of
instruments that performers would be permitted to
play, said: "entertainment is entertainment and
as long as someone doesn't violate the noise
ordinance I don't believe we should be
restricting them to whether they have a flute
player, a guitar player, or a vocalist."
C Casey explained that "it was my fault last Friday
that we went over the . . . noise ordinance"
C Doug Stevenson (a neighbor) said: "I don't even
think it's an issue of violation of any Noise
Ordinance, it's just the fact that we didn't have
this noise before and now we do and we have to
deal with it and we don't like it."
C Ms. Tarigo (unidentified) said: "last week so we
could adhere to that City ordinance of the
decibels of 65" (the language that precedes these
words is illegible).
As we have explained, at the district court the burden
was on the City to show that the no-amplification restriction did
not burden substantially more speech than necessary to achieve the
City's noise-reduction objective. See Fox, 492 U.S. at 480. The
City did not meet this burden simply by submitting evidence that
the noise ordinance was mentioned at the meeting at which the no-
amplification restriction was adopted. Indeed, the City itself has
not argued -- either in its motion for summary judgment or on
appeal -- that the Council considered the alternative of enforcing
the noise ordinance and concluded that it would be ineffective.
Nor has the City supplemented the record of the Council meeting
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with evidence supporting its view that the no-amplification
restriction is narrowly tailored, as it was free to do at the
district court.
The dissent is correct that residential neighbors were
unhappy about the noise emanating from A&O. However, it is mere
speculation to say that enforcing the noise ordinance was an
ineffective alternative to the no-amplification restriction when
there is no indication in the record that the City had made any
attempt to enforce it beyond the one incident documented in the
record.
iv. Casey Could Still Convey Her Message Without Amplification
As its final basis for concluding that the ban on
amplification was narrowly tailored, the district court stated
that appellants "could still convey their respective messages,
but . . . without the aid of an amplifier." Appellants respond,
with the support of uncontradicted affidavits, that amplifiers are
not used simply to take a "message" and make it louder while
holding constant its content. To be sure, amplification may be
necessary to convey a message, and appellants advance the argument
that amplification is required for Casey's voice to be heard over
the chatter of A&O's patrons. However, as appellants point out,
amplifiers are also used to create new "messages" that cannot be
conveyed without amplification equipment. Amplification enables
performers to boost the relative volume of quiet instruments, such
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as the bass and the lower registers of the human voice, and to
adjust the tonal qualities of voices and instruments without
necessarily increasing the overall volume of the performance.8
Much modern music simply cannot be performed without the use of
amplifiers. Thus the ban on amplification has a direct and
immediate effect on the expression at issue. The record therefore
does not support the district court's conclusion that appellants
"could still convey their . . . messages" without amplification.
Without amplification, some of the messages are not conveyed at
all.
The Supreme Court observed in Ward that "[i]f the city's
regulatory scheme had a substantial deleterious effect on the
ability of bandshell performers to achieve the quality of sound
they desired, [plaintiff's] concerns would have considerable
force." 491 U.S. at 801. The Court emphasized that there was no
evidence in the record that the quality of performances had been
impaired by the City's regulatory scheme. On the contrary, it
declared that "the city's guideline has no material impact on any
performer's ability to exercise complete artistic control over
sound quality." Id. at 802. Here, in contrast, there is evidence
of a "deleterious effect" on the "quality of sound" Casey has been
able to produce. Indeed, the regulation precluded outright the
8
The use of amplification to adjust the relative volume and
tonal qualities of voices and instruments is called "mixing."
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performance of certain songs that require her to sing quietly in a
low register with amplification.
In sum, we conclude that the district court erred in its
application of the Ward test for narrow tailoring to the facts of
this case. The record does not support the district court's
conclusion that the City's means were not substantially broader
than necessary to achieve the government's interest.
3. Alternative Channels
Although the failure of the record to support the
district court's conclusion that the no-amplification restriction
is narrowly tailored to serve a significant governmental interest
requires that we vacate the judgment below, we nevertheless note
that the ban on amplification at A&O does "leave open ample
alternative channels of communication," and thus satisfies the
third prong of the Ward test. 491 U.S. at 790 (internal quotation
marks omitted). Appellants assert unpersuasively that "[t]here is
no alternative for Laurel Casey to find a means to convey her
artistic message to an audience of over 90 people on a Saturday
night in a restaurant in Newport without having the benefit of an
amplifier." However, the restrictions imposed on performers at A&O
do not prevent Casey from performing at other establishments in
Newport unencumbered by the same restrictions.
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B. No Amplification of Instruments
The district court held that appellants lacked standing
to challenge the restriction on amplification of instruments (but
not singing) that has been in force since 2000. In the district
court's view, which the City reflects in its brief, Casey and A&O
are endeavoring to challenge the no-amplification restriction "on
behalf of" other musicians. We disagree with this characterization
of appellants' claims, and hold that both Casey and A&O have
standing to assert violations of their own First Amendment rights.
"The basic requirements for Article III standing are that
the petitioner is someone who has suffered or is threatened by
injury in fact to a cognizable interest, that the injury is
causally connected to the defendant's action, and that it can be
abated by a remedy the court is competent to give." Save Our
Heritage, Inc. v. FAA, 269 F.3d 49, 55 (1st Cir. 2001). As a
singer who performs with a band, Casey's "expression" encompasses
more than just her voice. It is the music she produces in
conjunction with her band that constitutes her expression. If the
quality of Casey's performance has been affected by the ban on the
amplification of her accompanists, she has suffered an injury in
fact to a cognizable interest (her interest in performing her music
as she wishes to perform it); the injury is causally connected to
the restriction the City placed on A&O's entertainment license; and
the district court has the power to remedy the injury (by enjoining
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enforcement of the restriction on amplification of instruments).
Casey therefore has standing to challenge the restriction on the
amplification of instruments. See id.
A&O also has standing to challenge the restriction on the
amplification of instruments. If, as appellants allege, the
restriction has impaired the quality of Casey's performances, A&O
has suffered an injury in fact to a cognizable interest (a
reduction in the quality of the entertainment it offers its
customers); the injury is causally connected to the restriction on
its entertainment license; and the district court has the power to
remedy the situation (by declaring the restriction
unconstitutional). See id.
Despite concluding that appellants lacked standing to
challenge the ban on amplification of instruments, the district
court went on to declare that even if appellants did have standing,
its analysis of the total ban on amplification applied equally to
the ban on amplification of instruments. We have held that the
district court erred in finding that the total ban on amplification
was narrowly tailored to serve a significant governmental interest.
We conclude likewise with respect to the ban on amplification of
instruments. In restating its conclusion about the total ban on
amplification, without additional analysis, the district court
repeated its error of neglecting to consider the viability of the
less-burdensome alternative of enforcing the City's noise
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ordinance. We therefore remand to the district court for
consideration of appellants' challenge to the no-amplification-of-
instruments restriction under the framework described in this
opinion.9
C. No Singing
The district court found that the no-singing restriction
in force for two weeks in June of 1999 was a valid regulation of
speech. Casey and A&O argue that the no-singing restriction was
"facially invalid," as it "had the effect of utterly suppressing
Ms. Casey's right to perform." They also assert that there is no
rational basis "for discriminating between one form of instrument,
the human voice," and "other instruments such as pianos and
guitars."
Frankly, we can make little sense of appellants' facial
invalidity argument, at least as they express it. They seem to
argue that a ban on singing could never be permissible under any
circumstances. Stated so sweepingly, that is an untenable
proposition. Appellants also make an equally unavailing argument
that the no-singing requirement is not content neutral, hoping to
invoke strict scrutiny.10 See Arkansas Writers' Project, 481 U.S.
9
For the reasons given in connection with the total ban on
amplification, the ban on amplification of instruments does satisfy
Ward's content-neutrality prong.
10
As we have explained, "[t]he principal inquiry in
determining content neutrality . . . is whether the government has
adopted a regulation of speech because of disagreement with the
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at 231 (requiring state to show that content-based regulation of
speech is "necessary to serve a compelling state interest" and
"narrowly drawn to achieve that end") (citation omitted). However,
appellants do seem to argue, barely, that the no-singing
restriction suffers from the same narrow-tailoring infirmities that
afflict the restrictions on amplification. Based on our analysis
supra, we conclude that the record does not support the district
court's holding that the no-singing restriction is narrowly
tailored to serve a significant governmental interest. Thus the
no-singing restriction too must be addressed by the district court
on remand.
III.
To meet the narrow tailoring requirement set out in Ward,
the City was required to establish that the challenged restrictions
do not burden substantially more speech than necessary to achieve
message it conveys." Ward, 491 U.S. at 791. The district court
found that
the [City] did not place the "no singing" restriction on
[A&O's] entertainment license because it disagreed with
the message plaintiffs sought to convey. Rather, the
[City] imposed the restriction . . . in order to address
the complaints defendants received from [A&O's]
residential neighbors concerning the excessive and
disturbing noise emanating from the restaurant during the
late night hours.
Appellants point to nothing in the record suggesting that the no-
singing restriction was motivated by the content of Casey's
performances, or by specific animus toward singing as opposed to
other forms of musical expression. We therefore agree with the
district court that the restriction is content neutral.
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its interest in noise reduction. The City has failed to carry its
burden on this point. The record is devoid of any explanation of
why the alternative of enforcing the City's noise ordinance -- an
alternative that is on the books, is designed to address the
problem of excessive noise, and has been enforced against A&O in
the past -- would not have achieved the City's objective as
effectively as the amplification ban, while placing a substantially
lesser burden on speech. Absent some evidence of this in the
record, the district court had no basis for deciding whether the
challenged restrictions are, or are not, substantially broader than
necessary to achieve the City's objective.
We conclude, therefore, that the district court erred in
its application of the test for narrow tailoring established in
Ward and applied in Globe Newspaper, and hence the judgment entered
for the City must be vacated. However, there is no basis in law
for ordering the entry of judgment for appellants. The proper
narrow-tailoring analysis remains to be done and, depending on the
outcome of that analysis, damages issues must be resolved. We
therefore remand to the district court for further proceedings
consistent with this opinion.
Judgement vacated. Remanded for further proceedings
consistent with this opinion.
- Concurring and Dissenting Opinions Follow -
-29-
McAULIFFE, District Judge (concurring). I agree with and
concur in Judge Lipez’s reasoning and conclusion -- that the record
requires further development and additional narrow-tailoring
analysis remains to be done. However, I am less confident than
Judge Lipez that the City of Newport’s amplification ban is content
neutral. The record discloses that the City’s sole intent in
imposing the license restrictions at issue here was to limit the
volume of sound emanating from Asterix & Obelix, in an effort to
accommodate its residential neighbors. But, by banning all
amplified music, the City effectively, albeit unwittingly, banned
a whole host of musical instruments and, necessarily, the unique
musical messages that can only be produced by those instruments.
And, ironically, the ban will not necessarily insure an acceptable
level of noise control -- Casey could, for example, sing to the
accompaniment of snare drums, but not amplified flutes.
In the world of modern music, “amplified” is not
synonymous with “made louder.” Electronic musical instruments can
only produce sound through a process of electronic amplification,
but those instruments are not inherently louder than acoustic or
unamplified instruments. A modern synthesizer, for example, can
make sound only by means of electronic amplification, yet that
amplified instrument easily and faithfully mimics the sounds
produced by a wide range of acoustic instruments such as pianos,
harps, flutes, acoustic guitars, violins, drums, etc. Moreover,
-30-
the synthesizer can reproduce those musical sounds as softly and
quietly as desired. Yet, the synthesizer falls within the City’s
ban. An electronically amplified Aeolian Harp can produce the same
“soft floating witchery of sound” as nature’s own, but the volume
is more easily controlled on the amplified version.
So, while the City did not impose the amplification ban
because of any overt disagreement with the messages conveyed by
amplified musical instruments, thus, arguably, making the ban
content neutral, I believe the ban is sufficiently over-reaching to
give rise to what the Supreme Court referred to in Ward v. Rock
Against Racism, 491 U.S. 781, 792 (1989), as an argument of “much
force,” i.e., that the City has impermissibly interfered with the
artistic judgment of performers at A&O. In Ward, the Court noted
that “[a]ny governmental attempt to serve purely esthetic goals by
imposing subjective standards of acceptable sound mix on performers
would raise serious First Amendment concerns . . . .” Id. at 793.
Here, the City’s regulation of expressive activity within A&O may
well not be content neutral because it appears to impose subjective
standards of instrument selection on performers and may not be
“justified without reference to the content of the regulated
speech,” id. at 791 (quoting Clark v. Community for Creative Non-
Violence, 468 U.S. 288, 293 (1984)), notwithstanding the absence of
official disagreement with the artistic messages conveyed by
amplified instruments. See Police Dept. of Chicago v. Mosley, 408
-31-
U.S. 92 (1972) (holding that picketing ban imposed to prevent
disruption of school was not content neutral when the ban allowed
picketing on some topics but not others); Carey v. Brown, 447 U.S.
455 (1980) (same).
The governmental regulation in Ward was not intended to,
and did not in fact, interfere with artistic expression. But here,
the regulation singles out certain musical instruments and thus
“has a direct and immediate effect on the expression at issue,” by
suppressing it, and does so without any apparent justification,
given the substantial disparity between the ban’s expansive reach
and the noise-control interests the ban purports to serve.
With that reservation -- that the license restriction may
not be content neutral -- I join in Judge Lipez’s opinion.
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TORRUELLA, Circuit Judge (Dissenting). With due respect,
I disagree with my colleagues regarding whether the licenses in
question are narrowly tailored. While the majority correctly
recounts the holdings of both Ward v. Rock Against Racism, 491 U.S.
781 (1989), and Globe Newspaper, Co. v. Beacon Hill Architectural
Commission, 100 F.3d 175 (1st Cir. 1996), it overstates the burden
for finding that a time, place, and manner restriction is narrowly
tailored. In fact, despite pronouncements to the contrary, the
majority essentially elevates the narrowly tailored requirement to
something approaching a least restrictive means test by requiring
that proposed alternatives always be considered. The majority also
ignores crucial evidence in the record which supports the district
court's finding that the licensing requirement was narrowly
tailored. My own review of the evidence and the relevant law leads
me to the conclusion that the City has met its burden of showing
that the licenses are narrowly tailored.
The majority understands Globe Newspaper as imposing a
requirement on courts to consider less burdensome alternatives in
deciding whether a challenged regulation is narrowly tailored. In
fact, the court did say, as the majority points out, that "less-
burdensome alternatives must be considered." 100 F.3d at 190.
However, this statement can only be understood in context. In
Globe Newspaper, the district court had found that a general ban on
street furniture, including newspaper racks, in Beacon Hill was not
-33-
narrowly tailored because less burdensome alternatives existed.
100 F.3d at 188. In overturning that decision, the court pointed
out that those alternative regimes had been considered and rejected
as ineffective. Id. at 188-89.11 Simply, the lower court rested
its decision on the availability of alternative regulations and
ignored ample evidence showing that those alternatives were
ineffective. It was against this background that the court
commented that less-burdensome alternatives must be evaluated to
see whether they are as effective as the challenged scheme.
Here, the situation is very different. Appellants do not
challenge the City's enactment of a general licensing scheme
regulating entertainment establishments.12 Rather, appellants
complain about the City's specific refusal to grant A&O a more
comprehensive entertainment license. As part of that challenge,
appellants point to the City's noise ordinance, positing that its
enforcement would be a less-burdensome alternative to a license
which covers only certain forms of entertainment. There is no
11
A similar situation confronted the Supreme Court in Ward.
There, New York City specifically considered a variety of solutions
to its excessive noise problem and rejected all of them as
ineffective. 491 U.S. at 785-87.
12
I further note that it is very unlikely that such a
challenge could survive, given that such schemes are generally
within a city's powers. Fantasy Book Shop, Inc. v. City of Boston,
652 F.2d 1115, 1121 (1st Cir. 1981) (holding that "licensing of
routine commercial operations in an attempt to limit noise, traffic
and disruption is clearly within a state's constitutional power").
-34-
evidence, or even a suggestion, that the City actually considered
utilizing the noise ordinance instead of the licensing scheme when
it came to A&O.13 This is entirely predictable. The controversy
over A&O's application arose at a City Council meeting when the
City considered the renewal of annual entertainment licenses for
the coming year. It was not in the context of deciding what
regulatory regime would best balance noise pollution reduction
against allowing full artistic expression. To exempt A&O from the
normal licensing scheme, in favor of utilizing the noise ordinance,
would have been a strange result, to say the least.
Furthermore, existing law does not generally support the
proposition that alternatives must be considered when deciding
whether a regulation is narrowly tailored. In Knights of Columbus,
Council No. 94 v. Town of Lexington, 272 F.3d 25 (1st Cir. 2001)
(hereinafter Knights of Columbus), a local group brought a
challenge to a regulation that totally banned the erection of
unattended structures on the historic town green. Id. The
plaintiffs-appellants suggested that the town could have achieved
its purpose with less restrictive alternatives. Id. at 32.
13
The record does suggest that the City had addressed its
concerns about noise pollution in another forum: a Noise & Nuisance
Task Force. The reference to this task force is fairly ambiguous,
and neither side presents further information about its conclusions
or its actual purpose. Furthermore, there is no suggestion, by
either side, that this task force dealt specifically with the
problem posed by A&O. From the limited information available, it
appears that this task force addressed only general concerns.
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However, the court concluded that the town did not have to
implement or experiment with alternatives before employing a total
ban. Id. at 33. In contrast to the limited restrictions in this
case, Knights of Columbus presents a fairly extreme regulation.
Nevertheless, the town's failure to consider alternatives did not
lead the court to find the regulation unconstitutional.
In fact, the appropriate inquiry is not whether
alternatives exist, which the regulating body must show are
ineffective. Rather, the inquiry is whether "the State's
articulated rationale actually supports restrictions placed on
particular conduct." New England Council of Carpenters v. Kinton,
284 F.3d 9, 27 (1st Cir. 2002); accord Gun Owners' Action League,
Inc. v. Swift, 284 F.3d 198, 212 (1st Cir. 2002) (upholding a ban
on using human-shaped targets at certain gun clubs under
intermediate scrutiny without considering less restrictive
alternatives); Knights of Columbus, 272 F.3d at 33. Certainly,
that inquiry can include an examination of the alternatives
considered by regulating body, see, e.g., Globe Newspaper, 100 F.3d
at 188-89, but not every case requires such an inquiry. This is
one such case.
The record clearly shows that the City limited A&O's
license in response to neighborhood complaints about excessive
noise. In fact, despite these complaints, the City gave A&O the
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same license it had in the prior year.14 The City just refused the
request for an expanded license. The record supports only one
inference: that the City balanced the interests of A&O against
those of its neighbors. This was entirely appropriate. See Nat'l
Amusements, Inc. v. Town of Dedham, 43 F.3d 731, 744 (1st Cir.
1995) ("[The regulation] promotes the substantial government
interest of preserving tranquility--an interest that, as [the
town's] past experience demonstrates, would not be achieved as
effectively absent the regulation.").
Furthermore, even if I were to adopt the majority's
conclusion that the City must show that available alternatives were
ineffective, I would find that the City has met its burden. The
majority concludes that "the City gave no explanation as to why it
could not have relied on this less-burdensome alternative
[enforcing the noise ordinance] to the no-amplification
restriction." Actually, the record clearly shows that the noise
ordinance was ineffective. A&O had violated the noise ordinance
only once, but the neighbors complained about incessant noise. One
neighbor told the City, "So, I don't even think it's an issue of
violation of any Noise Ordinance, it's just the fact that we didn't
have this noise before and now we do and we have to deal with it
14
Originally, the City did place an additional restriction
on A&O's license by forbidding singing. However, the record is
clear that this restriction was lifted shortly after it was imposed
and that it was imposed on the mistaken belief that the prior
license had not included permission for a vocalist.
-37-
and we don't like it." The noise ordinance clearly failed to
address the community's concerns and, as such, cannot be considered
an effective alternative.15
While believing the record clearly shows that the noise
ordinance is ineffective, I reiterate my earlier point: the City
only needs to show that the issued licenses were narrowly tailored
to the problem and not that all available alternatives are
ineffective. Regardless of the standard employed, the City clearly
meets its burden, and the judgment of the district court should be
affirmed. Therefore, I respectfully dissent.
15
Contrary to the majority's assertion, I do not find that
the City considered and rejected the noise ordinance as
ineffective. Rather, I simply find that the noise ordinance is
ineffective, apart from any consideration by the City.
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