DISSENTING OPINION
Lenroot, Judge:I am compelled to dissent from the conclusion reached by the majority herein, reversing the judgment of the United States Customs Court with respect to the crucifixes in the involved importations, for I am convinced that the trial court did not err in rejecting or declining to give probative force to the second stipulation of the parties hereto.
The stipulations are quoted in the majority opinion, and in my opinion the second stipulation, which, it is stated, is in addition to the facts stated in the first stipulation, amounts only to a conclusion of law, construing the first stipulation contrary to the construction given by the trial court to that stipulation in its first decision.
It is so well established that an agreed statement as to the law does not conclude the court that it hardly needs citation of authority to support the proposition. It was expressly so held in the case of Salomon Co. v. United States, 7 Ct. Cust. Appls. 5, T. D. 36255. This case was cited with approval by us in the case of North American Mercantile Co. v. United States, 18 C. C. P. A. (Customs) 74, T. D. 44030.
I am in hearty accord with all that is said in the majority opinion with respect to stipulations of fact; I differ with the majority only in its holding that the stipulation that the articles here involved are “.products of the free fine arts” is a stipulation of fact. Both of the stipulations must concededly be read together; so read, we have in substance a stipulation that the involved articles consist of works of art which are the professional productions of a sculptor; that they are carved.from marble, and that they are not originals and are not first or second replicas of originals, and as a conclusion from the foregoing, that the involved articles are products of the free fine arts. There is no stipulation that the articles are copies or reproductions of works of the free fine arts, nor is there any stipulation that the originals were works of the free fine arts.
As I view the last stipulation, it is an attempt to stipulate that works of a professional sculptor, carved from marble, but not originals, are works of the free fine arts. This to me is clearly a question of law and has been decided many times by this court adversely to the conclusion embodied in the second stipulation.
That to be a work of art in a tariff sense an article must be an original and a work of the free fine arts has been established by the cases de*632cided by this court. Iu the leading case of United States v. Olivotti & Co., 7 Ct. Cust. Appls. 46, T. D. 36309, we said:
* * * In our opinion, the expression “works of art” as used in paragraph 376 Itariff act of 1913] was not designed by Congress to cover the whole range of the beautiful and artistic, but only those productions of the artist which are something more than ornamental or decorative and which may be properly ranked as examples of the free fine arts, or possibly that class only of the free fine arts imitative of natural objects as the artist sees them, and appealing to the emotions through the eye alone. * * *
We have in many cases approved the foregoing.
In my opinion the case of United States v. John Wanamaker, 19 C. C. P. A. (Customs) 229, T. D. 46336, is squarely in point upon the question here involved and should control our, decision here. The question in that case was whether certain tapestries, claimed to be reproductions of “Queen Mathilda tapestries”, were dutiable as reproductions of works of art. After citing with approval the case of United States v. Olivotti & Co., supra, we held that it had not been shown by the record that the originals were works of the free fine arts, and that therefore the reproductions of the same, although made under the direction and supervision of an artist, were not reproductions of “works of art.” The court, speaking through Judge Hatfield, said:
It. not having been established that the original tapestries were works of art, in a tariff sense, the articles before us can not be held to be reproductions of “works of art”, although they were produced under the direction and supervision of an artist. * * *
In the case last cited, if it had been stipulated that upon the facts there shown the reproductions there involved were products of the “free fine arts”, would it not clearly have been stipulating the very question of law that we decided in that case?
It is my contention that whether or not an article stipulated to be not an original can be a work of the free fine arts is solely a question of law. Paragraph 1449 itself distinguishes between works of art and copies and reproductions of works of art. Had the stipulation here involved contained a provision that the involved articles were copies or reproductions and that the originals were works of the free fine arts, a different question would have been presented.
The majority opinion omits any discussion of the critical provision of the first stipulation that the involved articles are not originals or first or second replicas, and omits any discussion of the omission from the stipulation of an averment that the originals were works of the free fine arts, but holds that a reproduction may be a-work of the free fine arts irrespective of whether or not the original is a work of the free fine arts. I shall discuss this feature hereinafter.
*633Tbat I am correct in my conclusion that the second stipulation is only a conclusion of law from the facts set out in the first stipulation is supported by a colloquy between counsel and the court set out in the record. It appears therefrom that Mr. Whynman, Government counsel, stated:
The second stipulation incorporated the first stipulation, and in the first stipulation where all the facts were set out — my understanding of the Court’s ruling, they overruled it merely on the theory it was not shown whether it was industrial art, or came under the other kind of arts, but it was a work of art, the Court so accepted and agreed. (Italics mine.)
Counsel for appellant, who was present, made no objection to this statement. Obviously, if all the facts were set out in the first stipulation, then the second stipulation is only a conclusion of law.
In the brief of counsel for appellant we find the following:
In the Progressive Fine Arts Co. case, supra, [18 C. C. P. A. (Customs) 306, T. D. 44506,] the stipulation was to the effect that the merchandise was oil paintings, the original work of an artist, which in legal effect is precisely the same as the stipulation at bar.
Here counsel for appellant overlooked the fact that the first stipulation in the case at bar recites that the involved articles are not originals or first or second replicas, and does not recite that the originals were works of the free fine arts.
The majority opinion also overlooks this fact, for the facts that it holds were contemplated by the last stipulation would establish that the involved articles are original works of the free 'fine arts, while the first stipulation, made a part of the second stipulation, is to the contrary.
I appreciate that counsel for the respective parties might have entered into a stipulation that would have effectually disposed of the case; it would have been a simple matter .to have done so, but evidently it was the thought of counsel for both parties that originally a question was presented to the court for judicial determination. That question was judicially determined; a new trial was ordered and, upon the second trial, instead of either proving or stipulating facts from which a conclusion of law could be drawn, counsel presented in the form of a stipulation their own conclusion and again submitted the case, evidently for the purpose of judicial determination. In my judgment, had the Customs Court accepted the conclusion of the second stipulation, in view of the first stipulation being still effective, it would clearly have committed an error of law in so doing.
I confess my surprise at the holding of the majority that a reproduction of a statue or a painting may be a work of the free fine arts irrespective of whether or not the original was a work of the free fine arts. This is the first time this court has ever made any such hold*634ing, and, as hereinbefore stated, it is directly contrary to many decisions of this court. The majority opinion states as follows:
* * * The effect of such stipulations is that these articles are reproductions, and works of the free fine arts.
But, it is urged, a reproduction cannot be a work of the free fine arts, and that we have so stated in United States v. Olivotti & Co., supra, and in United States v. Wanamaker, 19 C. C. P. A. (Customs) 229, T. D. 45336. We find no expression in the prior case that intimates any such view. * * *
In my opinion said case of United States v. Olivotti & Co., supra, does clearly imply that a work of the free fine arts must be original and not a reproduction, but if there be any doubt upon that point it is set at rest by our opinion in the case of Friedlaender Co. v. United States, 19 C. C. P. A. (Customs) 198, T. D. 45295, where Presiding Judge Graham, spealdng for the court, said with respect to works of ait provided for in paragraph 1449 of said Tariff Act of 1922:
* * * If the originals were not works of art, then the imported articles could not be copies, replicas, or reproductions of works of art.
It is conceded in the case at bar that there was no stipulation that the originals of the imported articles were works of the free fine arts.
In said case of United States v. Olivotti & Co., supra, we held, speaking of certain of the articles there involved:
* * * they are not the expression of the sculptor’s impulse to imitate some object in nature as he conceived it to he, * * *. (Italics mine.)
The majority opinion in the case at bar holds that the involved articles are reproductions; if, they are reproductions they in themselves can not be expressions “of the sculptor’s impulse to imitate some object in nature as he conceived it to be”, and this would be true even though the originals were clearly works of the free fine arts. In other words, reproductions can not in themselves be works of the free fine arts, and paragraph 1449 recognizes this by expressly providing not only for’ works of art, but for reproductions of the same. Accordingly, in the case at bar, since the first stipulation shows that the articles involved are not originals, it follows that they can not be works of the free fine arts, and the second stipulation therefore amounts to nothing but an attempt to stipulate a conclusion of law directly contrary to the law as decided by this court, and as clearly intended by Congress.
The majority opinion clearly misconstrues our opinion in the case of United States v. Wanamaker, supra, hereinbefore discussed. The majority opinion states:
* * * There was no holding in that case to the effect that if the reproductions had been shown to be works of the free fine arts, they could not be so classified, because not originals.
The opinion of this court in said Wanamaker case clearly states at the beginning that the lower court had held that the articles there *635involved were “works of art” within paragraph 1449 of the Tariff Act of 1922. Thus there was presented squarely to this court a holding of the Customs Court that articles conceded to be reproductions were in themselves “works of art” within the meaning of the term as used in said paragraph 1449. The judgment of the Customs Court in said case was reversed by us; in other words, we held that the articles involved were not works of art within the paragraph, although made under the direction and supervision of an artist. It is significant that, in arriving at that conclusion, this court in said Wanamaker case did not consider the possibility of the reproductions in themselves being works of art under said paragraph, notwithstanding the trial court’s holding, and consistently so for, under the Olivotti case, sufra, reproductions could not in themselves be works of the free fine arts for reasons hereinbefore set out. What the court did do was to find that the originals, the “Queen Mathilda tapestries”, were not shown to be works of the free fine arts; this being found to be the fact, we proceeded only to hold that, since the originals were not shown to be works of the free fine arts, the articles there under consideration could not be reproductions of works of art within the paragraph. In other words, being reproductions, the sole possibility of their coming within the paragraph lay in their being reproductions of works of the free fine arts. It is also significant to note that, in declaring that there was no proof that the original tapestries were works of the free fine arts, we said that “there is nothing to show that, when finished, they represented the ‘realized sentiment of the artist.’” This is the test to be deduced from the Olivotti case, sufra, and it follows that no reproductions can respond to it.
The majority opinion states that the question here discussed was not raised by the assignments of error, and was not mentioned or relied upon by the trial court in its decision. Appellant specifically assigns error by the trial court in rejecting the second stipulation, which brings to us for review the ruling of the trial court rejecting said stipulation. As for the trial court not relying upon this point in its decision, it did directly pass upon the binding effect of the second stipulation,- and that was the principal question before it. While I do not agree with all of the grounds stated by the trial court for holding that the stipulation was not binding, its conclusion was right. In the case of Winter Bros. v. United States, 19 C. C. P. A. (Customs) 113, T. D. 45245, this court said:
It is well-settled law that if the coart below came to a correct conclusion and rendered a correct judgment, its judgment will not be reversed because of the method of reasoning which may have induced such judgment. It is the judgment of the court which is appealed from, and not its decision or opinion. United States v. Tausig & Pilcer, 18 C. C. P. A. (Customs) 421, T. D. 44681.
*636Moreover, the record shows that upon the second trial of the instant case the trial court upon two occasions objected to the second stipulation upon the ground that it stipulated the law in the case.
I wish to say frankly that while, as hereinbefore stated, I am in hearty accord with all that is said in the majority opinion with respect to stipulations of fact, the facts surrounding this case are such that if there be doubt concerning the effect of the second stipulation it should be resolved in favor of affirming the judgment of the trial court. Of course I am convinced that there was nothing fraudulent in the making of the stipulations, and appellant’s counsel was warranted in securing from the Government, if he could, a stipulation covering the facts as he believed them to exist, but I do think that the second stipulation was improvidently made by the Government. I do not contend that, even though improvidently made, if it be a stipulation of fact, it is not binding so long as the Government has not by appropriate action been relieved therefrom; but I do contend that this is a fact that may be considered in resolving doubts as to the construction of this second stipulation, although the general rule is, of course, that doubts with regard to the dutiability of goods should be resolved in favor of the importer.
The history of the protests here involved is stated in the decision of the trial court as follows:
* * * The oldest case included herein was first called for trial in September 1925, nine years ago. The latest case appeared on the docket for the first time in November 1930, nearly four years ago. The others were docketed from time to time during the intervening years as they were forwarded to the court by the collector. In all of these cases which were called for trial prior to 1927, continuances were requested and granted each time they appeared upon the calendar. At all dates upon which any of the cases were called for trial during the year 1927 and thereafter, suspensions under pending test cases were requested and granted over a period of six years. All of the test cases under which these 'protests thus were suspended, eventually were decided against the contentions of the importers; and in October 1933 the court ordered all of the cases at bar placed upon the trial calendar. Thereafter, two continuances of one month each were granted, until December, 1933, when for the first time these cases, some of which were ten years old, were submitted. These submissions, however, were not upon competent evidence introduced at a trial of the issues, but were upon a stipulation between counsel initialed by the examiner, agreeing that the articles here in controversy, which had been released from customs custody five to ten years previous thereto, were in fact works of art, but not originals nor first nor second replicas of original works of art. As hereinbefore stated, this division considered such a stipulation insufficient to support a finding that the articles were entitled to classification as works of art under paragraph 1449, and overruled the protests. Plaintiff requested a rehearing, contending that the said stipulation was sufficient, and the motion was granted; whereupon plaintiff attempted to resubmit the cases on an additional stipulation between counsel, approved and signed by the examiner, agreeing that the said articles are works of the free fine arts. (Italics mine.)
*637It thus appears that at the time of the first trial of the case at bar some of the protests involved had been pending in the Customs Court for ten years, that the latest of the protests had been pending four years; that suspensions under pending “test cases” were requested and granted over a period of six years; that all of the “test cases” were decided in favor of the Government; and that thereafter the Customs Court, upon its own motion, ordered all of the protests involved in the case at bar to be placed upon the trial calendar. Thereupon the first stipulation in this case was filed, and upon said stipulation the trial court overruled the protests. Upon the granting of a rehearing the second stipulation was filed, but with respect to said stipulation Government counsel stated in open court that the first stipulation set out all the facts in the case, and this was not denied by counsel for the importer, who was present.
In view of the history of the case, even though there be doubt with respect to the construction of the second stipulation, which I do not concede, such doubt should be resolved in favor of the conclusion of the trial court that said second stipulation was not binding upon it.
Summarizing my conclusions, the involved articles are not classifiable as works of art under said paragraph 1449 because, as established by the first stipulation, they are not originals. United States v. Olivotti & Co., supra. Neither can they be classified as reproductions within said paragraph because the record does not establish that the originals were works of the free fine arts. United States v. Wanamaker, supra.
In my view it is unnecessary to consider whether the trial court erred in calling upon its own motion a witness and examining him. If there was such error, it was not prejudicial to appellant for, upon the stipulations under which the case was submitted, the classification made by the collector appeared to be correct and the protests were properly overruled.
In my opinion the judgment of the Customs Court in the respects here discussed should be affirmed.