*61 Decision will be entered under Rule 155.
P claimed a depreciation deduction under the accelerated cost recovery system (ACRS),
*286 Laro, Judge: This case was assigned to and heard by Special Trial Judge Carleton D. Powell pursuant to
Brian P. and Brenda H. Liddle petitioned the Court for redetermination of respondent's determinations reflected in a notice of deficiency issued to them on November 20, 1991. The notice reflected respondent's determination of a $ 602 deficiency in petitioners' Federal income tax for 1987. Section references are to the Internal Revenue Code in effect for 1984, see infra note 3, and Rule references are to the Tax Court Rules of Practice and Procedure. The term "petitioner" in the singular is used to refer to Brian P. Liddle.
Following concessions by the parties, 1 the sole issue for decision is whether petitioners are entitled to the 1987 depreciation deduction*63 that they claimed under the accelerated cost recovery system (ACRS),
FINDINGS OF FACT
Some of the facts have been stipulated and are so found. The stipulation of facts and attached exhibits are incorporated herein by this reference. Petitioners resided in Philadelphia, Pennsylvania, when they filed their petition.
Petitioner has played the bass viol professionally for over a decade. He studied under Roger M. Scott, principal bassist *287 of the Philadelphia Orchestra, while on a full scholarship at the Curtis Institute of Music. He has performed with various professional music organizations, including the*64 Philadelphia Orchestra, the Baltimore Symphony, the Pennsylvania ProMusica, and the Performance Organization.
The viol was built by Francesco Ruggeri (c. 1620-1695), a luthier active in Cremona, Italy. He studied stringed instrument construction under Nicolo Amati, who also instructed Antonio Stradivari. His other contemporaries include the craftsmen Guadanini and Guarneri. These artisans are members of the so-called Cremonese School of instrument makers.
Petitioner purchased the viol for $ 28,000 on November 8, 1984; at that time, it was in an excellent state of restoration, and had no apparent cracks or other damage. He insured the viol for its then-appraised value of $ 38,000. Petitioner acquired the viol with the belief that it would serve him throughout his professional career, about 30 to 40 years. However, he exchanged it for a Domenico Busan 18th-century bass viol (Busan) on May 10, 1991, that was appraised at $ 65,000 on the date of the exchange. Petitioner thought that the "more vocal" tonal quality of the Busan would appeal to audition committees more than the "rich, deep" sound of the viol.
The market among nonmusicians for Cremonese School instruments flourishes. *65 Many collectors primarily seek out the "label"; i.e., the maker's name on the instrument as verified by the certificate of authenticity. Being nonplayers, they do not overly concern themselves with the physical condition of the instrument; they have their eye only on the market value of the instrument as a collectible. As the quantity of these instruments has declined through loss or destruction over the years, the value of remaining instruments as collectibles has experienced a corresponding increase.
A stringed instrument, when used on a regular basis, must receive proper maintenance in order to preserve its tonal quality and retard the decay of the instrument. Among other things, the constant playing of a stringed instrument results in wear and tear, nicks and scratches to the exterior of the instrument, and wear to the varnish. In addition, stringed instruments lose mass due to the acidic qualities of perspiration from the performer's hands as well as through the natural *288 oxidation of the wood. Furthermore, the climate affects the condition of a stringed instrument; the climate changes the structural integrity of: (1) The top of the instrument, and (2) the piece*66 of wood fitted inside the body of the instrument that supports the bridge and governs the instrument's timbre. Some of the more significant indices of climatic wear are the opening of the instrument's seams and the opening (or reopening) of cracks. 2 While instruments of this nature are subject to the general wear and tear that instruments used by musicians experience, there is no evidence that such wear and tear exhausts the utility and value of the instruments over definite time periods. The prices of instruments similar to the viol that are properly maintained have increased over many years.
During the time relevant herein, petitioner used the viol as his primary instrument in his full-time professional work as a musician; he used it for practice, auditions, rehearsals, and performances with symphony*67 orchestras. Petitioner's use of the viol subjected it to wear and tear that did not reduce its economic value.
On petitioners' joint 1987 Federal income tax return, they claimed a depreciation deduction of $ 3,170 with respect to the viol, under
OPINION
The facts of this case are remarkably similar to the facts in the Court's recent opinion in
The burden of proof is on petitioners to show that respondent's determinations set forth in her notice of deficiency are incorrect. Rule 142(a);
Depreciation deductions allow a taxpayer to recover his or her investment in an income-producing asset over its useful life.
Prior to the Economic Recovery Tax Act of 1981 (ERTA), Pub. L. 97-34, 95 Stat. 172, personal property was depreciated pursuant to
In enacting ERTA, the Congress found that the pre-ERTA rules for determining depreciation allowances were unnecessarily complicated and did not generate the investment incentive that was critical for economic expansion. The Congress believed that the high inflation rates prevailing at that time undervalued the true worth of depreciation deductions and, hence, discouraged investment*72 and economic competition. The Congress also believed that the determination of useful lives was "complex", "inherently uncertain", and "frequently [resulted] in unproductive disagreements between taxpayers and the Internal Revenue Service." S. Rept. 97-144,
Through ERTA, the Congress minimized the importance of useful life by: (1) Reducing the number of periods of years over which a taxpayer could depreciate his or *73 her property from the many relatively long periods of time included in the ADR system to the four short periods of time included in ERTA (i.e., the 3-year, 5-year, 10-year, and 15-year ACRS periods), and (2) basing depreciation on an arbitrary statutory period of years that was unrelated to, and shorter than, an asset's estimated useful life. This minimization of the useful life concept through a deemed useful life was in spirit with the two main issues that ERTA was designed to address, namely: (1) Income tax problems that resulted mainly from complex depreciation computations and useful life litigation, and (2) economic policy concerns that the pre-ERTA depreciation systems spread the depreciation deductions over such a long period of time that investment in income-producing assets was discouraged through the income tax system. S. Rept. 97-144,
With respect to the pre-ERTA requirement of useful life, the Commissioner had initially taken the position that a taxpayer generally could not deduct depreciation on expensive works of art and curios that he purchased as office furniture. *74 See
A valuable and treasured art piece does not have a determinable useful life. While the actual physical condition of the property may influence the value placed on the object, it will not ordinarily limit or determine the useful life. Accordingly, depreciation of works of art generally is not allowable. [Emphasis added.]
In the instant case, respondent determined that petitioners were not entitled to deduct depreciation for the viol because it will appreciate in value. On brief, respondent also argues that the useful life of the viol is indeterminable because the viol is a "work of art" for which it is impossible to determine a useful life. In this regard, respondent contends that petitioners must prove a specific or reasonable estimate of *292 the number of years that the viol will be useful to them in order to depreciate it under ACRS.
We disagree with respondent that petitioners may not depreciate the viol under ACRS. ERTA was enacted partially to address and*75 eliminate the issue that we are faced with today, namely, a disagreement between taxpayers and the Commissioner over the useful life of assets that were used in taxpayers' trades or businesses. With this "elimination of disagreements" purpose in mind, the Congress designed ERTA to include five broad classes of "recovery property" and to include four short periods of years over which taxpayers could recover their costs of "recovery property". See
Inasmuch as
*78 The viol fits snugly within the definition of recovery property. First, it is indisputable that the viol is tangible property, and that it was placed in service after 1980. Thus, the first two requirements for ACRS depreciation are met. Second, petitioner regularly used the viol in his trade or business as a professional musician. Accordingly, petitioners have also met the third requirement.
The last requirement for deducting depreciation on personal property under
Petitioner, through his testimony and through the testimony of his expert witness, has convinced us that the *81 viol suffered wear and tear during the year in issue. See also
Accordingly, having satisfied the four-prong Simon test, petitioners are entitled to their claimed depreciation deduction*82 on the viol for the year in issue. Allowing petitioners to depreciate the viol comports with the text of
With respect to respondent's arguments in support of a contrary holding, we believe that respondent places too much reliance on the fact that the viol has appreciated in value since petitioner acquired it. Indeed, respondent believes that this appreciation, in and of itself, serves to prevent petitioners from claiming any depreciation on the viol. We disagree;
With respect to respondent's contention that petitioners must prove a definite useful life of the viol, we acknowledge that the determination of useful life was critical under pre-ERTA law. Indeed, the determination of useful life was necessary and indispensable to the computation of depreciation because taxpayers were required to recover their investments in personal property, less salvage value, over the estimated useful life of the property.
Availability of deductions for depreciation on tangible*87 property * * * [under ACRS] is dependent solely upon compliance with
We have considered all other arguments made by respondent; the Court also considered similar arguments by the Commissioner in
To reflect the concessions by the parties,
Decision will be entered under Rule 155.
Parker, Cohen, Swift, Wright, Parr, Wells, Ruwe, and Colvin, JJ., agree with this majority opinion.
Chiechi, J., dissents.
Hamblen, C.J., dissenting:
I respectfully dissent because I think the legal analysis and conclusion *88 contained in the majority opinion are flawed and incorrect.
My views in this case are in accord with the legal analysis set forth in my dissenting opinion in the companion case of
I am persuaded that the statutory interpretation of
The majority opinion correctly states that a cardinal principle of statutory construction begins with the language of the statute. 2 It then ignores that principle. The majority must acknowledge that under
*90 Under
The majority opinion in this case does not specifically cite
In Browning, we held that the Stradivarius, Ruggeri, and Gabrielli violins were nondepreciable because the taxpayer, a professional musician, could not prove they had a determinable useful life. In affirming our decision, the Court of Appeals stated:
They [the taxpayers] have failed to show any real decrease in value. The Tax Court did not clearly err when it found that the Brownings did not present sufficient evidence to refute the Commissioner's ruling that the violins would actually appreciate in value over time rather than depreciate.
* * *
As the Tax Court noted, antique violins such as a Stradivarius are considered collectible items and not all purchasers need necessarily be professional musicians. Therefore, the violins have a value independent of their tonal qualities and that value may extend their useful lives which makes the violins more like pieces of art. * * *
[
In
Accordingly, it is our opinion that the concept of useful life was not eliminated by the enactment of ACRS under ERTA; hence, where respondent has determined that a taxpayer's assets have no determinable useful life and consequently are not depreciable, petitioner must establish that an asset used in a trade or business has a determinable useful life and prove the class of recovery property to which it is assigned. * * *
See, e.g.,
As pointed out in my dissenting opinion in
Wear and Tear
I question whether the facts of this case are "remarkably similar" to the facts in Simon. As strong as*93 the Simon facts might be in support of respondent's position, here the facts *300 relating to the lack of wear and tear to the Ruggeri bass viol are even stronger. The construction of the Ruggeri bass viol is sturdier and less delicate than that of the Tourte bows. Its cost was not consumed or used up during the 7 years petitioner owned it. Its utility as a playable instrument did not decrease. Its value increased, as evidenced by its exchange for the Busan bass viol that had a replacement value of $ 65,000. Petitioner agreed that, throughout the years he owned the Ruggeri bass viol, he kept it in excellent working condition by regular maintenance. There were no cracks or other damage to it. Wilbur Wamsley, petitioner's expert witness, who had neither seen nor inspected the bass viol in question, testified that he had seen stringed instruments that have suffered damage. It is significant that his report states, in part, as follows:
1. In the hands of a professional musician, a bass viol will be played for several hours per day, transported to concerts and rehearsals, (and in some cases, to auditions), all of which activity, if professional maintenance is not kept*94 current, will lead to the deterioration of the instrument, could have a deleterious effect on the quality of its sound, and will ultimately result in the loss of value of the instrument. [Emphasis added.]
The "wear and tear" concept relates to the physical life of tangible property. The physical life must be lessened by wear and tear that cannot be corrected by regular maintenance. See
Clearly petitioner has not met his burden of proving that the Ruggeri bass viol has a determinable useful life or the particular class of recovery property to which it was assigned by petitioner. This is borne out by petitioner's own testimony and that of two expert witnesses. Petitioner stated that when he purchased the Ruggeri bass viol, he subjectively anticipated that he would play the instrument until the end of his career. He was*95 not sure how long that would be, but he thought it would be 30 to 40 years. Consequently, I think *301 common sense tells us that it is chimerical to attribute a 5-year life to a bass viol that has been in existence for almost 3 centuries, and may last for many more as either a playable or a treasured work of art.
Accordingly, I would hold that the Ruggeri bass viol was not of a character subject to the allowance for depreciation.
Chabot, Jacobs, Whalen, and Halpern, JJ., agree with this dissent.
Gerber, J., dissenting:
I respectfully dissent in this case for the same reasons expressed in my dissenting opinion in
Halpern, J., dissenting:
Under
The allowance is that amount which should be set aside for the taxable year in accordance with a reasonably consistent plan (not necessarily at a uniform rate), so that the aggregate of the amounts set aside, plus the salvage value, will, at the end of the estimated useful life of the depreciable property, equal the cost or other basis of the property as provided in
It is beyond dispute that no deduction is allowable under
The majority finds that the wear and tear suffered by the viol is not of a kind that would force the viol to be retired from service after a determinable period. Majority op. p. 288. Indeed, it appears that, with regular maintenance, the viol has remained playable for over 200 years. Simply put, the viol is not property subject to wear and tear that, in a tax sense, limits its life and entitles the owner to a deduction for depreciation.
Majority's FailingThe majority has failed to discriminate between property with a useful life that, although undetermined, is determinable and property with a useful life that is indeterminable. The majority's failure results from its misidentification of "property of a character subject to the allowance for depreciation". See
House bill. -- Under present law, assets used in a trade or business or for the production of income are depreciable if they are subject to wear and tear, decay or decline*102 from natural causes or obsolescence. Assets that do not decline in value on a predictable basis or that do not have a determinable useful life, such as land, goodwill, and stock are not depreciable.
Under the House bill, most tangible depreciable property (real and personal) is covered by the accelerated cost recovery system (ACRS). However, ACRS does not apply to (1) property not depreciated in terms of years * * *, and (2) property amortized * * *.
[Emphasis added.]
H. Conf. Rept. 97-215, supra,
The majority's interpretation presents it with clear difficulties. The majority acknowledges that "works of art" remain nondepreciable, and, thus, outside of
Congress did not write on a clean slate when it added
Hamblen, Chabot, Jacobs, and Whalen, JJ., agree with this dissent.
*306 Beghe, J., dissenting:
Having concurred in the result of the companion case,
Judge Laro, the trial judge in Simon, found that the Tourte bows actually did and do suffer substantial wear and tear that will render them unplayable over some indeterminate time. The bows are therefore subject to exhaustion that arguably characterizes them as "property of a character subject to the allowance for depreciation." On the other hand, Special Trial Judge Powell, whose findings of fact in this case were adopted by Judge Laro and the majority that rejected Special Trial Judge Powell's proposed contrary holding, not only concluded that the bass viol did not have a "determinable useful life", but in so doing found that the bass viol had not suffered such wear and tear as would lead to any curtailment of its useful*106 life as a playable instrument.
I am puzzled by the Chief Judge's aspersions on "some findings of fact" of Judge Laro, as adopted by the majority in
*107 The arguments for bifurcating the cost of dual-use property might well deserve respectful attention, but in some other case. In the current procedural posture and state of the record of these cases, there is no ground for considering bifurcation. Respondent went for all or nothing, totally disallowing cost recovery allowances under
Footnotes
1. Petitioners conceded that a $ 26 increase in "other income" and $ 275 increase in interest income were proper. Respondent allowed $ 1,304 in additional miscellaneous deductions.↩
2. The seams of a stringed instrument open up by design to prevent cracking of the woodgrain. These openings may occur several times during a season, and severe damage will result if the opened seam goes unchecked.↩
3. Because the viol was placed in service in 1984, the Internal Revenue Code applicable to that year governs the computation of its depreciation for petitioners' 1987 taxable year.
Sec. 168 ; see also the Tax Reform Act of 1986 (TRA), Pub. L. 99-514, secs. 201(a), 203(a)(1), 100 Stat. 2085, 2121, 2143 (in general, TRA amendedsec. 168↩ effective for property placed in service after Dec. 31, 1986, in taxable years ending after that date).4. It is a cardinal principle of statutory construction that the interpretation of a statute starts with the text therein.
Landgraf v. USI Film Prods., 511 U.S. , 114 S. Ct. 1483 (1994) ;Consumer Prod. Safety Commn. v. GTE Sylvania, Inc., 447 U.S. 102">447 U.S. 102 , 108 (1980). Statutory language is interpreted by giving each word its plain, obvious, and rational meaning.American Tobacco Co. v. Patterson, 456 U.S. 63">456 U.S. 63 , 68 (1982);United States v. Merriam, 263 U.S. 179">263 U.S. 179 , 187-188 (1923). Where the text of a statute is clear, statutory construction ends there; the statute must be enforced as written.United States v. Ron Pair Enters., Inc., 489 U.S. 235">489 U.S. 235 , 241↩ (1989).5.
Sec. 167(a) of the 1954 Code, immediately before its amendment by ERTA, provided:SEC. 167(a) . General Rule. -- There shall be allowed as a depreciation deduction a reasonable allowance for the exhaustion, wear and tear (including a reasonable allowance for obsolescence) --(1) of property used in the trade or business, or
(2) of property held for the production of income.↩
6.
Sec. 168(a) and(c) , as added to the 1954 Code by ERTA, provided:SEC. 168(a) . Allowance of Deduction. -- There shall be allowed as a deduction for any taxable year the amount determined under this section with respect to recovery property.* * *
(c) Recovery Property. -- For purposes of this title --
(1) Recovery property defined. -- * * * the term "recovery property" means tangible property of a character subject to the allowance for depreciation --
(A) used in a trade or business, or
(B) held for the production of income.↩
7. The viol will also be "
section 1245 class property" if it is subject to exhaustion, wear and tear, or obsolescence. In this regard, the viol constitutes "property of a character subject to the allowance for depreciation provided insection 167 ".Sec. 1245(a)(3) of the 1954 Code as amended by ERTA (emphasis added); seeJohn R. Thompson Co. v. United States, 477 F.2d 164">477 F.2d 164 , 169 (7th Cir. 1973) ("Except to the extent that they are subject to physical decay * * *, works of art are not depreciable");Associated Obstetricians & Gynecologists, P.C. v. Commissioner, T.C. Memo. 1983-380 ("respondent admits that * * * [her position inRev. Rul. 68-232, 1 C.B. 79">1968-1 C.B. 79 ] would not prohibit depreciation deductions with respect to artworks if the physical condition of the property can be shown to limit or determine its useful life"), affd.762 F.2d 38">762 F.2d 38↩ (6th Cir. 1985).8. Accounting for physical depreciation is an annual offset to gross income by way of deductions that represent the exhaustion, wear and tear, or obsolescence of an income-producing asset. This concept appropriately recognizes the fact that wear and tear to an income-producing asset occur on a daily basis through its use and through the passage of time. By contrast, accounting for market-related changes in the values of depreciable property is not reflected daily; these changes are reportable as gain or loss upon the sale of the depreciable asset. See generally subch. P of ch. 1 of the Internal Revenue Code. Unlike the concept of physical depreciation, this latter concept accounts exclusively for the increase or decrease in the market value of an asset on account of price fluctuations caused by inflation, scarcity, or the like; these types of fluctuations are independent of the decrease in the value of an asset through physical depreciation.
Fribourg Navigation Co. v. Commissioner, 383 U.S. 272">383 U.S. 272 , 277 (1966);Macabe Co. v. Commissioner, 42 T.C. 1105">42 T.C. 1105 , 1109-1110↩ (1964).9. We note, for example, that the Congress enacted
sec. 1245 in 1962 to minimize any perceived inequities that may have occurred due to the fact that a taxpayer's depreciation deductions offset his or her ordinary income, but the taxpayer's gain on the sale of the depreciable asset was reportable as capital gain. Undersec. 1245 , taxpayers must report as ordinary income any gain on a sale of depreciable personal property to the extent of the prior depreciation that they have taken on the property.Fribourg Navigation Co. v. Commissioner, supra↩ at 285 .1. The record shows that antique bass viols are displayed in museums as "works of art".↩
2. In
United States v. American Trucking Associations, 310 U.S. 534">310 U.S. 534 , 543 (1940) (quotingOzawa v. United States, 260 U.S. 178">260 U.S. 178 , 194 (1922)), the Supreme Court stated as follows:There is, of course, no more persuasive evidence of the purpose of a statute than the words by which the legislature undertook to give expression to its wishes. Often these words are sufficient in and of themselves to determine the purpose of the legislation. In such cases we have followed their plain meaning. When that meaning has led to absurd or futile results, however, this Court has looked beyond the words to the purpose of the act. Frequently, however, even when the plain meaning did not produce absurd results but merely an unreasonable one "plainly at variance with the policy of the legislation as a whole" this Court has followed that purpose, rather than the literal words. * * * [Fn. refs. omitted.]↩
1. See S. Rept. 97-144 (1981),
2 C.B. 412">1981-2 C.B. 412 , 421, 425 (property eligible for ACRS defined in terms of property eligible for depreciation); H. Conf. Rept. 97-215 (1981) (conference report),2 C.B. 481">1981-2 C.B. 481↩ , 487 (similar).1. In my view, the total testimony in
Simon v. Commissioner, 103 T.C. 247">103 T.C. 247 (1994), including that of respondent's expert witness Wiley Grant, amply supports Judge Laro's finding that the Tourte bows suffered substantial wear and tear. First, Mr. Simon testified that: (1) The vibration of the wood on the Tourte bows resulted in wear and tear on the bows, Tr. at 15-16; (2) Tourte bows in general "play out" (meaning they lose their usefulness as adjuncts to stringed musical instruments), Tr. at 22; (3) regular playing with any bow results in substantial wear and tear to the bow, Tr. at 34-35; and (4) the Tourte bows were not in the same pristine condition today as when petitioners had purchased them, due to use in their profession, Tr. at 60. Second, Yung Chin testified that: (1) The Tourte bows were not in the same condition at the time of trial as they had been on the date that he had appraised them, Tr. at 103, 113,121; (2) ↩ "the stick is getting worn down somewhat on the stick itself, meaning there is wood that has come off of it", Tr. at 104; (3) "the stick[s of the Tourte bows are] being worn down somewhat, which you cannot repair", Tr. at 121; (4) he noticed defects in both of the Tourte bows, Tr. at 121-122; and (5) "there is a slight amount of use shown on the handle of the bow", Tr. at 123. Finally, Wiley Grant, respondent's expert, conceded that playing the Tourte bows reduces their value to a professional musician. Tr. at 145-146.